The understanding of wars hardly occurs at the moment in which they are
carried out. It is much more common to find war in the story that is made of it,
when the days begin to complete and the years outline their outcomes. Thus,
from the very beginning of literature as an exercise that tries to build bridges
between what possibly has happened, the story of the facts is imposed as an
interpretation of what happens when men confront each other and weapons
become their arms. This is an essay, in which a reflection of the above narrative
phenomenon occurs, in two perspectives, poetry and cinema. From this interpretation, there is a view on war conflicts today.

The understanding of wars hardly occurs at the moment in which they are
carried out. It is much more common to find war in the story that is made of it,
when the days begin to complete and the years outline their outcomes. Thus,
from the very beginning of literature as an exercise that tries to build bridges
between what possibly has happened, the story of the facts is imposed as an
interpretation of what happens when men confront each other and weapons
become their arms. This is an essay, in which a reflection of the above narrative
phenomenon occurs, in two perspectives, poetry and cinema. From this interpretation, there is a view on war conflicts today.