| TÃtulo : |
Cultural and Creative Mural Spaces : Community, Culture and Tourism of Uruguayan Contemporary Muralism and Other International Mural Spaces |
| Tipo de documento: |
documento electrónico |
| Autores: |
Santamarina-Campos, Virginia, ; MartÃnez-Carazo, Eva-MarÃa, ; de Miguel Molina, MarÃa, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2021 |
| Número de páginas: |
IX, 211 p. 103 ilustraciones, 82 ilustraciones en color. |
| ISBN/ISSN/DL: |
978-3-030-53106-5 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
Propiedad cultural Historia Letras Patrimonio cultural Arte fino |
| Clasificación: |
363.69 |
| Resumen: |
Este libro pone en contexto la evolución del arte mural en los últimos años, particularmente el caso del muralismo contemporáneo en Uruguay. Si bien el enfoque de este volumen gira en torno a Uruguay, los editores demuestran que las circunstancias encontradas en Uruguay también se reflejan ampliamente en una gran cantidad de casos en todo el mundo. El arte mural ha evolucionado desde un público de élite hasta un objetivo más popular. Al mismo tiempo, no pierde la necesidad de contar con artistas de alto valor que, no sólo técnicamente sino también conceptualmente, sean capaces de conectar con la audiencia y brindarle un sentido de identidad y necesidad de preservación de este arte. Esto conduce a un enfoque descendente, donde diferentes actores participan en el proceso, desde la conceptualización hasta la conservación. Además, el arte mural ha sido estudiado como un motor de desarrollo económico local, atrayendo visitantes y turistas que pueden acceder fácilmente a estos museos al aire libre. Este libro es de interés para estudiantes e investigadores que trabajan en bellas artes, patrimonio y estudios de museos. |
| Nota de contenido: |
Part I. Uruguayan contemporary muralism -- Challenges and opportunities of Uruguayan contemporary Muralism; Virginia Santamarina-Campos, Eva-MarÃa MartÃnez-Carazo, MarÃa De Miguel-Molina and Mª Ãngeles Carabal-Montagud -- Constructive Universalism and the Influence of Torres GarcÃa Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- Constructive Universalism, the golden artistic age; Ricardo Pickenhayn -- Social Realism, a political and social art; Eva-MarÃa MartÃnez-Carazo, Mª Ãngeles Carabal-Montagud and Virginia Santamarina-Campos -- The Abstraction, the Unknow part of Uruguayan Contemporary Muralism; Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- National School of Fines Art. University extension and mural Painting; Ariel Sánchez-Guillén and Alejandra Berriel-Benvenuto -- The case of studio of Open-Air Museum of Ibero-American Art of San Gregorio de Polanco, Uruguay; Liliana Tarigo-Bonizzoni -- Thenew emerging artistic expressions: public mural art, graffiti and postgraffiti; Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- Consequences and Needs of the Uruguayan Contemporary Muralism; Eva MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa de Miguel-Molina -- Part II. Murals, Community and Cultural Tourism Museographic Project of the Uruguayan Contemporary Mural Production; Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- Murals in North America; MarÃa De Miguel-Molina, Virginia Santamarina-Campos, Eva-MarÃa MartÃnez-Carazo and Blanca De Miguel-Molina -- Incomplete Museum of Street Art, an evolution as a cultural destination; MarÃa Antonia Zalbidea-Muñoz -- Crossroads: Urban murals and their relation with memory tourism and the possibility of conservation and restoration; Elena GarcÃa-Gayo and Esther Giner-Cordero -- Conclusions. Sustainability of cultural and creative mural spaces; Blanca De Miguel-Molina and MarÃa De Miguel-Molina. |
| Tipo de medio : |
Computadora |
| Summary : |
This book puts into context the evolution of mural art in recent years, particularly the case of the contemporary muralism in Uruguay. While the focus of this volume, revolves around Uruguay, the editors demonstrate that circumstances found in Uruguay are also reflected widely in a large number of cases worldwide. Mural art has evolved from an elite audience to a more popular objective. At the same time, it does not lose the necessity of high value artists that, not only technically but also conceptually, will be able to connect to the audience and provide a sense of identity and necessity of preservation of this art. This leads to a down-top approach, where different actors take part in the process, from the conceptualization to the conservation. Moreover, mural art has been studied as a driver of local economic development, attracting visitors and tourists can access these open-air museums easily. This book is of interest to students and researchers working in fine art, heritage and museum studies. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
Cultural and Creative Mural Spaces : Community, Culture and Tourism of Uruguayan Contemporary Muralism and Other International Mural Spaces [documento electrónico] / Santamarina-Campos, Virginia, ; MartÃnez-Carazo, Eva-MarÃa, ; de Miguel Molina, MarÃa, . - 1 ed. . - [s.l.] : Springer, 2021 . - IX, 211 p. 103 ilustraciones, 82 ilustraciones en color. ISBN : 978-3-030-53106-5 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
Propiedad cultural Historia Letras Patrimonio cultural Arte fino |
| Clasificación: |
363.69 |
| Resumen: |
Este libro pone en contexto la evolución del arte mural en los últimos años, particularmente el caso del muralismo contemporáneo en Uruguay. Si bien el enfoque de este volumen gira en torno a Uruguay, los editores demuestran que las circunstancias encontradas en Uruguay también se reflejan ampliamente en una gran cantidad de casos en todo el mundo. El arte mural ha evolucionado desde un público de élite hasta un objetivo más popular. Al mismo tiempo, no pierde la necesidad de contar con artistas de alto valor que, no sólo técnicamente sino también conceptualmente, sean capaces de conectar con la audiencia y brindarle un sentido de identidad y necesidad de preservación de este arte. Esto conduce a un enfoque descendente, donde diferentes actores participan en el proceso, desde la conceptualización hasta la conservación. Además, el arte mural ha sido estudiado como un motor de desarrollo económico local, atrayendo visitantes y turistas que pueden acceder fácilmente a estos museos al aire libre. Este libro es de interés para estudiantes e investigadores que trabajan en bellas artes, patrimonio y estudios de museos. |
| Nota de contenido: |
Part I. Uruguayan contemporary muralism -- Challenges and opportunities of Uruguayan contemporary Muralism; Virginia Santamarina-Campos, Eva-MarÃa MartÃnez-Carazo, MarÃa De Miguel-Molina and Mª Ãngeles Carabal-Montagud -- Constructive Universalism and the Influence of Torres GarcÃa Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- Constructive Universalism, the golden artistic age; Ricardo Pickenhayn -- Social Realism, a political and social art; Eva-MarÃa MartÃnez-Carazo, Mª Ãngeles Carabal-Montagud and Virginia Santamarina-Campos -- The Abstraction, the Unknow part of Uruguayan Contemporary Muralism; Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- National School of Fines Art. University extension and mural Painting; Ariel Sánchez-Guillén and Alejandra Berriel-Benvenuto -- The case of studio of Open-Air Museum of Ibero-American Art of San Gregorio de Polanco, Uruguay; Liliana Tarigo-Bonizzoni -- Thenew emerging artistic expressions: public mural art, graffiti and postgraffiti; Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- Consequences and Needs of the Uruguayan Contemporary Muralism; Eva MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa de Miguel-Molina -- Part II. Murals, Community and Cultural Tourism Museographic Project of the Uruguayan Contemporary Mural Production; Eva-MarÃa MartÃnez-Carazo, Virginia Santamarina-Campos and MarÃa De Miguel-Molina -- Murals in North America; MarÃa De Miguel-Molina, Virginia Santamarina-Campos, Eva-MarÃa MartÃnez-Carazo and Blanca De Miguel-Molina -- Incomplete Museum of Street Art, an evolution as a cultural destination; MarÃa Antonia Zalbidea-Muñoz -- Crossroads: Urban murals and their relation with memory tourism and the possibility of conservation and restoration; Elena GarcÃa-Gayo and Esther Giner-Cordero -- Conclusions. Sustainability of cultural and creative mural spaces; Blanca De Miguel-Molina and MarÃa De Miguel-Molina. |
| Tipo de medio : |
Computadora |
| Summary : |
This book puts into context the evolution of mural art in recent years, particularly the case of the contemporary muralism in Uruguay. While the focus of this volume, revolves around Uruguay, the editors demonstrate that circumstances found in Uruguay are also reflected widely in a large number of cases worldwide. Mural art has evolved from an elite audience to a more popular objective. At the same time, it does not lose the necessity of high value artists that, not only technically but also conceptually, will be able to connect to the audience and provide a sense of identity and necessity of preservation of this art. This leads to a down-top approach, where different actors take part in the process, from the conceptualization to the conservation. Moreover, mural art has been studied as a driver of local economic development, attracting visitors and tourists can access these open-air museums easily. This book is of interest to students and researchers working in fine art, heritage and museum studies. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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