| Título : |
The Palgrave Handbook of Screen Production |
| Tipo de documento: |
documento electrónico |
| Autores: |
Batty, Craig, ; Berry, Marsha, ; Dooley, Kath, ; Frankham, Bettina, ; Kerrigan, Susan, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2019 |
| Número de páginas: |
XXXIV, 482 p. 34 ilustraciones |
| ISBN/ISSN/DL: |
978-3-030-21744-0 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Palabras clave: |
Autoría cinematográfica Industria cinematográfica Transmisión de televisión Producción de cine y televisión Escritura de guiones Industria del cine y la televisión |
| Índice Dewey: |
791.4 Películas cinematográficas, radio, televisión |
| Resumen: |
Este manual es una guía creativa, crítica y práctica esencial para estudiantes y educadores de producción cinematográfica a nivel internacional. Abarca todos los aspectos de la producción cinematográfica, desde la conceptualización de ideas y su desarrollo hasta su realización y posterior distribución, en todas las formas y formatos, incluida la ficción y no ficción para cine, televisión, espacios de galería e Internet. Con capítulos escritos por profesionales, académicos y educadores de todo el mundo, el libro proporciona una colección completa de enfoques para quienes estudian y enseñan el desarrollo y la producción de contenido cinematográfico. Pensando en los estudiantes universitarios y de nivel superior, el volumen combina deliberadamente la teoría y la práctica para ofrecer una guía de producción cinematográfica con información crítica e intelectualmente rica, diseñada según las necesidades de quienes trabajan en entornos educativos donde el "hacer" y el "pensar" deben coexistir. El Palgrave Handbook of Screen Production llena un vacío importante en el conocimiento creativo y crítico de la producción cinematográfica, al tiempo que proporciona herramientas y enfoques prácticos para futuros profesionales. |
| Nota de contenido: |
Part 1: Conceptualising the screen work: ideas, intentions, contexts -- Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency -- Chapter 2 Commission, position and production: Intent and intervention in minority language programmes -- Chapter 3 Having something to say and saying it well -- Chapter 4 Understanding the underlying principles of the short film -- Chapter 5 Two screenplays, one writer, national voice -- Chapter 6 Off screen: Re-imagining animation -- Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld -- Chapter 8 Taking place, screening place: Studying locations in television drama production -- Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones -- Part 2:Developing the screen work: collaboration, imagination, distillation -- Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay -- Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences -- Chapter 12 Work-in-progress: The Writing of Shortchanged -- Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures -- Chapter 14 Writers, producers and creative entrepreneurship in web series development -- Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project -- Part 3: Realising the screen work: practice, process, pragmatism -- Chapter 16 Creative Practice: A Love Story -- Chapter 17 Creating and designing the contemporary soundtrack: A case study -- Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making -- Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film -- Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice -- Chapter 21 "Make it in post": Digital visual effects and the temporality of creative value in post-production -- Chapter 22 Trapped: A case study of international co-production -- Chapter 23 Production practices in the filming of German scripted reality shows -- Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen -- Part 4: Exhibiting the screen work: places, spaces, ecologies -- Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro's Neon Bull -- Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production -- Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology -- Chapter 28 Dispositifs at play: Artists' moving image in the gallery -- Chapter 29 Mobile reception: Materiality and locality with small screens -- Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones -- Part 5: Teaching the screen work: pedagogies, practices, approaches -- Chapter 31 There is no 'e' in 'constraints': Teaching creativity in Higher Education screen production -- Chapter 32 "Is this degree practical or theoretical?" Screen and media education, studio-based teaching and signature pedagogies -- Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends -- Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR -- Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay. |
| En línea: |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
| Link: |
https://biblioteca.umanizales.edu.co/ils/opac_css/index.php?lvl=notice_display&i |
The Palgrave Handbook of Screen Production [documento electrónico] / Batty, Craig, ; Berry, Marsha, ; Dooley, Kath, ; Frankham, Bettina, ; Kerrigan, Susan, . - 1 ed. . - [s.l.] : Springer, 2019 . - XXXIV, 482 p. 34 ilustraciones. ISBN : 978-3-030-21744-0 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
| Palabras clave: |
Autoría cinematográfica Industria cinematográfica Transmisión de televisión Producción de cine y televisión Escritura de guiones Industria del cine y la televisión |
| Índice Dewey: |
791.4 Películas cinematográficas, radio, televisión |
| Resumen: |
Este manual es una guía creativa, crítica y práctica esencial para estudiantes y educadores de producción cinematográfica a nivel internacional. Abarca todos los aspectos de la producción cinematográfica, desde la conceptualización de ideas y su desarrollo hasta su realización y posterior distribución, en todas las formas y formatos, incluida la ficción y no ficción para cine, televisión, espacios de galería e Internet. Con capítulos escritos por profesionales, académicos y educadores de todo el mundo, el libro proporciona una colección completa de enfoques para quienes estudian y enseñan el desarrollo y la producción de contenido cinematográfico. Pensando en los estudiantes universitarios y de nivel superior, el volumen combina deliberadamente la teoría y la práctica para ofrecer una guía de producción cinematográfica con información crítica e intelectualmente rica, diseñada según las necesidades de quienes trabajan en entornos educativos donde el "hacer" y el "pensar" deben coexistir. El Palgrave Handbook of Screen Production llena un vacío importante en el conocimiento creativo y crítico de la producción cinematográfica, al tiempo que proporciona herramientas y enfoques prácticos para futuros profesionales. |
| Nota de contenido: |
Part 1: Conceptualising the screen work: ideas, intentions, contexts -- Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency -- Chapter 2 Commission, position and production: Intent and intervention in minority language programmes -- Chapter 3 Having something to say and saying it well -- Chapter 4 Understanding the underlying principles of the short film -- Chapter 5 Two screenplays, one writer, national voice -- Chapter 6 Off screen: Re-imagining animation -- Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld -- Chapter 8 Taking place, screening place: Studying locations in television drama production -- Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones -- Part 2:Developing the screen work: collaboration, imagination, distillation -- Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay -- Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences -- Chapter 12 Work-in-progress: The Writing of Shortchanged -- Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures -- Chapter 14 Writers, producers and creative entrepreneurship in web series development -- Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project -- Part 3: Realising the screen work: practice, process, pragmatism -- Chapter 16 Creative Practice: A Love Story -- Chapter 17 Creating and designing the contemporary soundtrack: A case study -- Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making -- Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film -- Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice -- Chapter 21 "Make it in post": Digital visual effects and the temporality of creative value in post-production -- Chapter 22 Trapped: A case study of international co-production -- Chapter 23 Production practices in the filming of German scripted reality shows -- Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen -- Part 4: Exhibiting the screen work: places, spaces, ecologies -- Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro's Neon Bull -- Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production -- Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology -- Chapter 28 Dispositifs at play: Artists' moving image in the gallery -- Chapter 29 Mobile reception: Materiality and locality with small screens -- Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones -- Part 5: Teaching the screen work: pedagogies, practices, approaches -- Chapter 31 There is no 'e' in 'constraints': Teaching creativity in Higher Education screen production -- Chapter 32 "Is this degree practical or theoretical?" Screen and media education, studio-based teaching and signature pedagogies -- Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends -- Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR -- Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay. |
| En línea: |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
| Link: |
https://biblioteca.umanizales.edu.co/ils/opac_css/index.php?lvl=notice_display&i |
|  |
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