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Autor Gavin, Adrienne E. |
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TÃtulo : British Women's Writing from Brontë to Bloomsbury, Volume 1 : 1840s and 1850s Tipo de documento: documento electrónico Autores: Gavin, Adrienne E., ; de la L. Oulton, Carolyn W., Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2018 Número de páginas: XXV, 278 p. ISBN/ISSN/DL: 978-3-319-78226-3 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Literatura Moderna Ficción PoesÃa Literatura europea Literatura del siglo XIX Literatura de ficción PoesÃa y poética Clasificación: 809.034 Resumen: Esta serie de cinco volúmenes, Escritura de mujeres británicas de Brontë a Bloomsbury, 1840-1940, contextualiza históricamente y rastrea los desarrollos en la ficción femenina de 1840 a 1940. Al evaluar crÃticamente la escritura de mujeres británicas, tanto canónicas como menos conocidas, década tras década, redefine el panorama. de la autorÃa femenina a lo largo de un siglo de dinámicos cambios sociales y culturales. Con cada uno de sus volúmenes dedicado a dos décadas, la serie tiene un alcance amplio pero está históricamente claramente definida. Volumen 1: Décadas de 1840 y 1850 inaugura la serie contextualizando histórica y culturalmente la escritura de las mujeres victorianas de las décadas de 1840 y 1850. Utilizando una variedad de perspectivas crÃticas que incluyen la historia polÃtica y literaria, los enfoques feministas, los estudios sobre la discapacidad y la historia de la lectura, los 16 ensayos originales del volumen consideran desarrollos como la construcción de una tradición posromántica, la politización de la esfera doméstica y el desarrollo de la escritura policiaca y sensacionalista. Fundamentalmente, reevalúa a autoras clave de mediados del siglo XIX en el contexto en el que publicaron por primera vez, al mismo tiempo que recupera a escritoras desatendidas que ayudaron a dar forma al panorama literario de las décadas de 1840 y 1850. Nota de contenido: 1. Introduction: Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. 'Pleasant, easy work, -& not useless, I hope': Harriet Martineau as a Children's Writer of the 1840s: Valerie Sanders -- 3. 'Powerful beyond all question': Catherine Crowe's Novels of the 1840s: Ruth Heholt -- 4. Women in Service: Private Lives and Labour in Mary Howitt's Work and Wages: Erin D. Chamberlain -- 5. Confronting the 1840s: Christian Johnstone in Criticism and Fiction: Joanne Wilkes -- 6. Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change: Tamara S. Wagner -- 7. 'I was in the condition of mind to be shocked at nothing': Losing the Plot in Wuthering Heights: Carolyn W. de la L. Oulton -- 8. Anne Brontë: An Unlikely Subversive: Kristin A. Le Veness -- 9. The Female Voice and Industrial Fiction: Elizabeth Gaskell's Mary Barton: Carolyn Lambert -- 10. The Age of the Female Novelist: Single Women as Writers of Fiction: Sharon Connor -- 11. 'Excluded from a woman's natural destiny': Disability and Femininity in Dinah Mulock's Olive and Charlotte M. Yonge's The Daisy Chain: Clare Walker Gore -- 12. 'The eatables were of the slightest description': Consumption and Consumerism in Cranford: Anne Longmuir -- 13.'There never was a mistress whose rule was milder': Sadomasochism and Female Identity in Charlotte Brontë's Villette: Abigail Boucher -- 14. Cultivating King Arthur: Women Writers and Arthurian Romance in the 1850s: Katie Garner -- 15. '[T]he work of a she-devil': Sensation Fiction, Crime Writing, and Caroline Clive's Paul Ferroll: Adrienne E. Gavin -- 16. '[Your novel] quite gives me a pain in the stomach': How Paternal Disapproval Ended Julia Wedgwood's Promising Career as a Novelist: Sue Brown -- 17. Adam Bede and 'the green trash of the railway stall': George Eliot and the Lady Novelists of 1859: Gail Marshall. Tipo de medio : Computadora Summary : This five-volume series, British Women's Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume's 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] British Women's Writing from Brontë to Bloomsbury, Volume 1 : 1840s and 1850s [documento electrónico] / Gavin, Adrienne E., ; de la L. Oulton, Carolyn W., . - 1 ed. . - [s.l.] : Springer, 2018 . - XXV, 278 p.
ISBN : 978-3-319-78226-3
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: Literatura Moderna Ficción PoesÃa Literatura europea Literatura del siglo XIX Literatura de ficción PoesÃa y poética Clasificación: 809.034 Resumen: Esta serie de cinco volúmenes, Escritura de mujeres británicas de Brontë a Bloomsbury, 1840-1940, contextualiza históricamente y rastrea los desarrollos en la ficción femenina de 1840 a 1940. Al evaluar crÃticamente la escritura de mujeres británicas, tanto canónicas como menos conocidas, década tras década, redefine el panorama. de la autorÃa femenina a lo largo de un siglo de dinámicos cambios sociales y culturales. Con cada uno de sus volúmenes dedicado a dos décadas, la serie tiene un alcance amplio pero está históricamente claramente definida. Volumen 1: Décadas de 1840 y 1850 inaugura la serie contextualizando histórica y culturalmente la escritura de las mujeres victorianas de las décadas de 1840 y 1850. Utilizando una variedad de perspectivas crÃticas que incluyen la historia polÃtica y literaria, los enfoques feministas, los estudios sobre la discapacidad y la historia de la lectura, los 16 ensayos originales del volumen consideran desarrollos como la construcción de una tradición posromántica, la politización de la esfera doméstica y el desarrollo de la escritura policiaca y sensacionalista. Fundamentalmente, reevalúa a autoras clave de mediados del siglo XIX en el contexto en el que publicaron por primera vez, al mismo tiempo que recupera a escritoras desatendidas que ayudaron a dar forma al panorama literario de las décadas de 1840 y 1850. Nota de contenido: 1. Introduction: Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. 'Pleasant, easy work, -& not useless, I hope': Harriet Martineau as a Children's Writer of the 1840s: Valerie Sanders -- 3. 'Powerful beyond all question': Catherine Crowe's Novels of the 1840s: Ruth Heholt -- 4. Women in Service: Private Lives and Labour in Mary Howitt's Work and Wages: Erin D. Chamberlain -- 5. Confronting the 1840s: Christian Johnstone in Criticism and Fiction: Joanne Wilkes -- 6. Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change: Tamara S. Wagner -- 7. 'I was in the condition of mind to be shocked at nothing': Losing the Plot in Wuthering Heights: Carolyn W. de la L. Oulton -- 8. Anne Brontë: An Unlikely Subversive: Kristin A. Le Veness -- 9. The Female Voice and Industrial Fiction: Elizabeth Gaskell's Mary Barton: Carolyn Lambert -- 10. The Age of the Female Novelist: Single Women as Writers of Fiction: Sharon Connor -- 11. 'Excluded from a woman's natural destiny': Disability and Femininity in Dinah Mulock's Olive and Charlotte M. Yonge's The Daisy Chain: Clare Walker Gore -- 12. 'The eatables were of the slightest description': Consumption and Consumerism in Cranford: Anne Longmuir -- 13.'There never was a mistress whose rule was milder': Sadomasochism and Female Identity in Charlotte Brontë's Villette: Abigail Boucher -- 14. Cultivating King Arthur: Women Writers and Arthurian Romance in the 1850s: Katie Garner -- 15. '[T]he work of a she-devil': Sensation Fiction, Crime Writing, and Caroline Clive's Paul Ferroll: Adrienne E. Gavin -- 16. '[Your novel] quite gives me a pain in the stomach': How Paternal Disapproval Ended Julia Wedgwood's Promising Career as a Novelist: Sue Brown -- 17. Adam Bede and 'the green trash of the railway stall': George Eliot and the Lady Novelists of 1859: Gail Marshall. Tipo de medio : Computadora Summary : This five-volume series, British Women's Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume's 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
TÃtulo : British Women's Writing from Brontë to Bloomsbury, Volume 2 : 1860s and 1870s Tipo de documento: documento electrónico Autores: Gavin, Adrienne E., ; de la L. Oulton, Carolyn W., Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2020 Número de páginas: XXVI, 291 p. 3 ilustraciones ISBN/ISSN/DL: 978-3-030-38528-6 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Literatura Moderna Ficción Literatura europea Literatura del siglo XIX Literatura de ficción Clasificación: 809.034 Resumen: Esta serie de cinco volúmenes, British Women''s Writing From Brontë to Bloomsbury, 1840-1940, contextualiza históricamente y rastrea la evolución de la ficción femenina entre 1840 y 1940. Al evaluar crÃticamente la escritura femenina británica, tanto canónica como menos conocida, década tras década, redefine el panorama. de la autorÃa femenina a lo largo de un siglo de dinámicos cambios sociales y culturales. Con cada uno de sus volúmenes dedicado a dos décadas, la serie tiene un alcance amplio pero está históricamente claramente definida. Volumen 2: Décadas de 1860 y 1870 continúa la serie contextualizando histórica y culturalmente la escritura de las mujeres victorianas dentro de las décadas de 1860 y 1870. Los 16 ensayos originales del volumen, que cubren una variedad de enfoques ficticios, que incluyen cuentos, novelas con inflexión religiosa y escritura cómica, consideran desarrollos como la locura por las sensaciones, el impacto de las nuevas tecnologÃas y las oportunidades profesionales que se abren para las mujeres. Fundamentalmente, reevalúa a autoras clave del siglo XIX en el contexto en el que publicaron por primera vez, al mismo tiempo que recupera a escritoras desatendidas que ayudaron a dar forma al panorama literario de las décadas de 1860 y 1870. Nota de contenido: 1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries -- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow -- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi -- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton -- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella -- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane -- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue -- 13. '[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt -- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette -- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat'sHer Father's Name; Catherine Pope -- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter. . Tipo de medio : Computadora Summary : This five-volume series, British Women's Writing From Brontë to Bloomsbury, 1840–1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 2: 1860s and 1870s continues the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1860s and 1870s. Covering a range of fictional approaches, including short stories, religiously inflected novels, and comic writing the volume's 16 original essays consider such developments as the sensation craze, the impact of new technologies,and the career opportunities opening for women. Centrally, it reassesses key nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1860s and 1870s. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] British Women's Writing from Brontë to Bloomsbury, Volume 2 : 1860s and 1870s [documento electrónico] / Gavin, Adrienne E., ; de la L. Oulton, Carolyn W., . - 1 ed. . - [s.l.] : Springer, 2020 . - XXVI, 291 p. 3 ilustraciones.
ISBN : 978-3-030-38528-6
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: Literatura Moderna Ficción Literatura europea Literatura del siglo XIX Literatura de ficción Clasificación: 809.034 Resumen: Esta serie de cinco volúmenes, British Women''s Writing From Brontë to Bloomsbury, 1840-1940, contextualiza históricamente y rastrea la evolución de la ficción femenina entre 1840 y 1940. Al evaluar crÃticamente la escritura femenina británica, tanto canónica como menos conocida, década tras década, redefine el panorama. de la autorÃa femenina a lo largo de un siglo de dinámicos cambios sociales y culturales. Con cada uno de sus volúmenes dedicado a dos décadas, la serie tiene un alcance amplio pero está históricamente claramente definida. Volumen 2: Décadas de 1860 y 1870 continúa la serie contextualizando histórica y culturalmente la escritura de las mujeres victorianas dentro de las décadas de 1860 y 1870. Los 16 ensayos originales del volumen, que cubren una variedad de enfoques ficticios, que incluyen cuentos, novelas con inflexión religiosa y escritura cómica, consideran desarrollos como la locura por las sensaciones, el impacto de las nuevas tecnologÃas y las oportunidades profesionales que se abren para las mujeres. Fundamentalmente, reevalúa a autoras clave del siglo XIX en el contexto en el que publicaron por primera vez, al mismo tiempo que recupera a escritoras desatendidas que ayudaron a dar forma al panorama literario de las décadas de 1860 y 1870. Nota de contenido: 1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries -- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow -- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi -- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton -- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella -- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane -- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue -- 13. '[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt -- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette -- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat'sHer Father's Name; Catherine Pope -- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter. . Tipo de medio : Computadora Summary : This five-volume series, British Women's Writing From Brontë to Bloomsbury, 1840–1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 2: 1860s and 1870s continues the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1860s and 1870s. Covering a range of fictional approaches, including short stories, religiously inflected novels, and comic writing the volume's 16 original essays consider such developments as the sensation craze, the impact of new technologies,and the career opportunities opening for women. Centrally, it reassesses key nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1860s and 1870s. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
