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Autor Morosetti, Tiziana |
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TÃtulo : Africa on the Contemporary London Stage Tipo de documento: documento electrónico Autores: Morosetti, Tiziana, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2018 Número de páginas: XV, 246 p. ISBN/ISSN/DL: 978-3-319-94508-8 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: EtnologÃa Cultura Teatro y performance contemporáneos Historia del teatro Teatro y Performance Nacional y Regional Cultura africana Clasificación: 792.9 Resumen: Esta colección de ensayos investiga la forma en que Ãfrica ha sido retratada en los escenarios de Londres desde la década de 1950 hasta el presente. Se centra en si (y, en caso afirmativo, en qué medida) el Ãfrica que emerge de la escena londinense está sujeta a estereotipos y/o de qué manera la recepción del público y la crÃtica ha contribuido a una comprensión del continente y sus artes. . La colección, dividida en dos partes, reúne a académicos consagrados y académicos emergentes, asà como a dramaturgos, directores e intérpretes actualmente activos en Londres. Centrándose en Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele y Dipo Agboluaje, entre otros, el volumen examina el trabajo de compañÃas clave como Tiata Fahodzi y Talawa, asà como las compañÃas más nuevas Two Gents, Iroko Theatre y Spora. Cuentos. También se incluyen entrevistas con Rotimi Babatunde, Ade Solanke y Dipo Agboluaje sobre la escena londinense contemporánea. Nota de contenido: 1. Introduction; Tiziana Morosetti -- 2. Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not; James Gibbs -- 3. Africa on the British Stage, 1955-1966; Stephen J. Nicholson -- 4. 'On One of Those Sunday Nights': 50 Years of Africa at the Royal Court; Tiziana Morosetti -- 5. Biyi Bandele's Theatre of the Afropolitan Absurd; Michael Pearce -- 6. Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife); Lynette Goddard -- 7. Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Gala; Sophie Duncan -- 8. Disrupting Historical Mis-Representations and Constructions: Talawa Theatre, Tiata Fahodzi and Representations of Polyphonic Africa on the Contemporary London Stage; Victor Ukaegbu -- 9. Iroko Theatre and the African Theatre-in-Education Scene in London; Alex Oma-Pius -- 10. 'But [We] Will Delve One Yard below Their Mines/And Blow Them at the Moon': Two Gents: 'Africa', Shakespeare, and the Silent Revolutio; Arne Pohlmeier -- 11. Interview with Ade Solanke; Tiziana Morosetti -- 12. Interview with Rotimi Babatunde; Ying Cheng -- 13. Interview with Dipo Agboluaje; Tiziana Morosetti. Tipo de medio : Computadora Summary : This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] Africa on the Contemporary London Stage [documento electrónico] / Morosetti, Tiziana, . - 1 ed. . - [s.l.] : Springer, 2018 . - XV, 246 p.
ISBN : 978-3-319-94508-8
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: EtnologÃa Cultura Teatro y performance contemporáneos Historia del teatro Teatro y Performance Nacional y Regional Cultura africana Clasificación: 792.9 Resumen: Esta colección de ensayos investiga la forma en que Ãfrica ha sido retratada en los escenarios de Londres desde la década de 1950 hasta el presente. Se centra en si (y, en caso afirmativo, en qué medida) el Ãfrica que emerge de la escena londinense está sujeta a estereotipos y/o de qué manera la recepción del público y la crÃtica ha contribuido a una comprensión del continente y sus artes. . La colección, dividida en dos partes, reúne a académicos consagrados y académicos emergentes, asà como a dramaturgos, directores e intérpretes actualmente activos en Londres. Centrándose en Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele y Dipo Agboluaje, entre otros, el volumen examina el trabajo de compañÃas clave como Tiata Fahodzi y Talawa, asà como las compañÃas más nuevas Two Gents, Iroko Theatre y Spora. Cuentos. También se incluyen entrevistas con Rotimi Babatunde, Ade Solanke y Dipo Agboluaje sobre la escena londinense contemporánea. Nota de contenido: 1. Introduction; Tiziana Morosetti -- 2. Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not; James Gibbs -- 3. Africa on the British Stage, 1955-1966; Stephen J. Nicholson -- 4. 'On One of Those Sunday Nights': 50 Years of Africa at the Royal Court; Tiziana Morosetti -- 5. Biyi Bandele's Theatre of the Afropolitan Absurd; Michael Pearce -- 6. Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife); Lynette Goddard -- 7. Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Gala; Sophie Duncan -- 8. Disrupting Historical Mis-Representations and Constructions: Talawa Theatre, Tiata Fahodzi and Representations of Polyphonic Africa on the Contemporary London Stage; Victor Ukaegbu -- 9. Iroko Theatre and the African Theatre-in-Education Scene in London; Alex Oma-Pius -- 10. 'But [We] Will Delve One Yard below Their Mines/And Blow Them at the Moon': Two Gents: 'Africa', Shakespeare, and the Silent Revolutio; Arne Pohlmeier -- 11. Interview with Ade Solanke; Tiziana Morosetti -- 12. Interview with Rotimi Babatunde; Ying Cheng -- 13. Interview with Dipo Agboluaje; Tiziana Morosetti. Tipo de medio : Computadora Summary : This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
TÃtulo : The Palgrave Handbook of Theatre and Race Tipo de documento: documento electrónico Autores: Morosetti, Tiziana, ; Okagbue, Osita, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2021 Número de páginas: XVI, 518 p. ISBN/ISSN/DL: 978-3-030-43957-6 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: CriminologÃa crÃtica Las artes escénicas Teatro y Performance Global e Internacional Teatro y performance contemporáneos Historia del teatro Teatro y Performance Nacional y Regional Teatro y artes escénicas Clasificación: 792.9 Resumen: Este libro, la primera publicación integral sobre el tema, investiga las interacciones entre el pensamiento racial y el escenario en el mundo moderno y contemporáneo, con 25 ensayos sobre estudios de casos que arrojarán luz sobre áreas previamente descuidadas por la crÃtica y al mismo tiempo brindarán nuevas perspectivas sobre contextos ya investigados. . Al examinar actuaciones de Europa, América, Medio Oriente, Ãfrica, China, Australia, Nueva Zelanda y las islas del PacÃfico Sur, esta colección en última instancia enmarca la historia de las narrativas raciales en el escenario en un contexto global, restableciendo la comprensión de la raza en público. discurso. Nota de contenido: 1. Introduction -- Part I. Race and Racism in Contemporary Theatre -- 2. The American Theatrical Canon and the Struggle for Racial Equality in British Theatre -- 3. Racialization and Contemporary German Theatre -- 4. Dangerous Dialogues': Questioning Constructions of Race in South Pacific Theatre -- 5 Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada -- 6. Representing the Roma Experience on the Contemporary Romanian Stage: The Intersectional Lenses of Giuvlipen's Anti-racist and Feminist Theatre Works -- Part II. War, Conflict and the Nation -- 7. Race as Category in Nazi German Theatre -- 8. MÄori Theatre in Not-Quite-Post-Colonial Aotearoa New Zealand -- 9. Racial Nationalism and the Serbian Theatre: From Radovan III to DAH -- 10. The Palestinians in the Israeli Theatre -- 11. Faces of a Long Unspoken Collective Trauma: Theatrical Representations of Friendship, Love, Betrayal, andPain in the Landscape of War in Contemporary Turkey -- 12. Staging Race in White South African Afrikaans Theatre -- Part III. Blackness and the African Diaspora -- 13. In the Prison of Their Skins: Performing Race in Caribbean Theatre -- 14. Black Women in Post-revolutionary Cuban Theatreer -- 15. Black Performances and Black Artists Performing in Contemporary Brazil -- 16. Lackface: Blackface Masking in Contemporary US Theatre -- 17. Fighting Racism on the Contemporary Francophone Stage -- 18. 'Though we are written into the landscape you don't see us' (Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking -- Part IV. Constructions of Whiteness and the 'Other' -- 19. 'A Wretched Caricature…Unworthy of America': Charles Mathews's Representation of the Yankee -- 20. The Language of Blackness: Representations of Africans and African-Americans on the British Stage After Uncle Tom's Cabin -- 21. Susan Glaspell's Trifles and Inheritors: White Settler Hunger, Debt and the Blackhawk Purchase Lands -- 22. Beyond the Peyote Dance: The Raramuri Tribe and 'Mexico' Representations in Antonin Artaud's Work -- 23. Representing and Re-presenting Others in Yorùbá Performance -- 24. Pigs and Dogs and The Bogus Woman: Racialized Performance in Anglo-British Women Playwrights -- 25. Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre. Tipo de medio : Computadora Summary : The ï¬rst comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Paciï¬ c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] The Palgrave Handbook of Theatre and Race [documento electrónico] / Morosetti, Tiziana, ; Okagbue, Osita, . - 1 ed. . - [s.l.] : Springer, 2021 . - XVI, 518 p.
ISBN : 978-3-030-43957-6
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: CriminologÃa crÃtica Las artes escénicas Teatro y Performance Global e Internacional Teatro y performance contemporáneos Historia del teatro Teatro y Performance Nacional y Regional Teatro y artes escénicas Clasificación: 792.9 Resumen: Este libro, la primera publicación integral sobre el tema, investiga las interacciones entre el pensamiento racial y el escenario en el mundo moderno y contemporáneo, con 25 ensayos sobre estudios de casos que arrojarán luz sobre áreas previamente descuidadas por la crÃtica y al mismo tiempo brindarán nuevas perspectivas sobre contextos ya investigados. . Al examinar actuaciones de Europa, América, Medio Oriente, Ãfrica, China, Australia, Nueva Zelanda y las islas del PacÃfico Sur, esta colección en última instancia enmarca la historia de las narrativas raciales en el escenario en un contexto global, restableciendo la comprensión de la raza en público. discurso. Nota de contenido: 1. Introduction -- Part I. Race and Racism in Contemporary Theatre -- 2. The American Theatrical Canon and the Struggle for Racial Equality in British Theatre -- 3. Racialization and Contemporary German Theatre -- 4. Dangerous Dialogues': Questioning Constructions of Race in South Pacific Theatre -- 5 Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada -- 6. Representing the Roma Experience on the Contemporary Romanian Stage: The Intersectional Lenses of Giuvlipen's Anti-racist and Feminist Theatre Works -- Part II. War, Conflict and the Nation -- 7. Race as Category in Nazi German Theatre -- 8. MÄori Theatre in Not-Quite-Post-Colonial Aotearoa New Zealand -- 9. Racial Nationalism and the Serbian Theatre: From Radovan III to DAH -- 10. The Palestinians in the Israeli Theatre -- 11. Faces of a Long Unspoken Collective Trauma: Theatrical Representations of Friendship, Love, Betrayal, andPain in the Landscape of War in Contemporary Turkey -- 12. Staging Race in White South African Afrikaans Theatre -- Part III. Blackness and the African Diaspora -- 13. In the Prison of Their Skins: Performing Race in Caribbean Theatre -- 14. Black Women in Post-revolutionary Cuban Theatreer -- 15. Black Performances and Black Artists Performing in Contemporary Brazil -- 16. Lackface: Blackface Masking in Contemporary US Theatre -- 17. Fighting Racism on the Contemporary Francophone Stage -- 18. 'Though we are written into the landscape you don't see us' (Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking -- Part IV. Constructions of Whiteness and the 'Other' -- 19. 'A Wretched Caricature…Unworthy of America': Charles Mathews's Representation of the Yankee -- 20. The Language of Blackness: Representations of Africans and African-Americans on the British Stage After Uncle Tom's Cabin -- 21. Susan Glaspell's Trifles and Inheritors: White Settler Hunger, Debt and the Blackhawk Purchase Lands -- 22. Beyond the Peyote Dance: The Raramuri Tribe and 'Mexico' Representations in Antonin Artaud's Work -- 23. Representing and Re-presenting Others in Yorùbá Performance -- 24. Pigs and Dogs and The Bogus Woman: Racialized Performance in Anglo-British Women Playwrights -- 25. Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre. Tipo de medio : Computadora Summary : The ï¬rst comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Paciï¬ c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
