| TÃtulo : |
A NIME Reader : Fifteen Years of New Interfaces for Musical Expression |
| Tipo de documento: |
documento electrónico |
| Autores: |
Jensenius, Alexander Refsum, ; Lyons, Michael J., |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2017 |
| Número de páginas: |
XLII, 485 p. 220 ilustraciones, 154 ilustraciones en color. |
| ISBN/ISSN/DL: |
978-3-319-47214-0 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
ingenierÃa acústica Música Acústica |
| Clasificación: |
620.2 |
| Resumen: |
¿Qué es un instrumento musical? ¿Cuáles son los instrumentos musicales del futuro? Esta antologÃa presenta treinta artÃculos seleccionados de los quince años de historia de la Conferencia Internacional sobre Nuevas Interfaces para la Expresión Musical (NIME). NIME es una conferencia lÃder en tecnologÃa musical y un lugar importante para que investigadores y artistas presenten y discutan sus exploraciones de instrumentos y tecnologÃas musicales. Cada uno de los artÃculos va seguido de comentarios escritos por los autores originales y por destacados expertos. El volumen cubre importantes avances en el campo, incluidos los primeros informes de instrumentos como reacTable, Overtone Violin, Pebblebox y Plank. También hay numerosos artÃculos que presentan nuevas plataformas y tecnologÃas de desarrollo, asà como reflexiones crÃticas, análisis teóricos y experiencias artÃsticas. La antologÃa está destinada a los recién llegados que quieran obtener una visión general de los avances recientes en la tecnologÃa musical. Las huellas históricas, las metadiscusiones y las reflexiones también serán de interés para los participantes veteranos del NIME. Por lo tanto, el libro sirve como un estudio de trabajos anteriores influyentes y como punto de partida para nuevos y emocionantes desarrollos futuros. |
| Nota de contenido: |
2001: Principles for Designing Computer Music Controllers -- 2001: Problems and Prospects for Intimate Musical Control of Computers -- 2002: The importance of parameter mapping in electronic instrument design -- 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing -- 2002: The Plank: Designing a Simple Haptic Controller -- 2003: Contexts of Collaborative Musical Experiences -- 2003: Sonigraphical Instruments: From FMOL to the reacTable* -- 2003: Designing, Playing, and Performing with a Vision-based Mouth Interface -- 2003: OpenSound Control: State of the Art 2003 -- 2004: The Electronic Sitar Controller -- 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis -- 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments -- 2004: On-the-fly Programming: Using Code as an Expressive Musical Instrument -- 2005: Towards a Dimension Space for Musical Devices -- 2005: The Overtone Violin -- 2006: Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance -- 2006: Mobile Music Technology: Report on an Emerging Community -- 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy -- 2007: Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control -- 2007: Expression and its Discontents: Toward an Ecology of Musical Creation -- 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments -- 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives -- 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide -- 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform -- 2012: The Fingerphone: a Case Study of Sustainable Instrument Redesign -- 2012: To be inside someone else's dream: Music for Sleeping & Waking Minds -- 2012:TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard -- 2013: The Web Browser As Synthesizer And Interface -- 2014: To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013 -- 2015: Fourteen Years of NIME: The Value and Meaning of 'Community' in Interactive Music Research. . |
| Tipo de medio : |
Computadora |
| Summary : |
What is a musical instrument? What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen year long history of the International Conference on New Interfaces for Musical Expression (NIME). NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies. Each of the papers is followed by commentaries written by the original authors and by leading experts. The volume covers important developments in the field, including the earliest reports of instruments like the reacTable, Overtone Violin, Pebblebox, and Plank. There are also numerous papers presenting new development platforms and technologies, as well as critical reflections, theoretical analyses and artistic experiences. The anthology is intended for newcomers who want to get an overview of recent advances in music technology. The historical traces,meta-discussions and reflections will also be of interest for longtime NIME participants. The book thus serves both as a survey of influential past work and as a starting point for new and exciting future developments. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
A NIME Reader : Fifteen Years of New Interfaces for Musical Expression [documento electrónico] / Jensenius, Alexander Refsum, ; Lyons, Michael J., . - 1 ed. . - [s.l.] : Springer, 2017 . - XLII, 485 p. 220 ilustraciones, 154 ilustraciones en color. ISBN : 978-3-319-47214-0 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
ingenierÃa acústica Música Acústica |
| Clasificación: |
620.2 |
| Resumen: |
¿Qué es un instrumento musical? ¿Cuáles son los instrumentos musicales del futuro? Esta antologÃa presenta treinta artÃculos seleccionados de los quince años de historia de la Conferencia Internacional sobre Nuevas Interfaces para la Expresión Musical (NIME). NIME es una conferencia lÃder en tecnologÃa musical y un lugar importante para que investigadores y artistas presenten y discutan sus exploraciones de instrumentos y tecnologÃas musicales. Cada uno de los artÃculos va seguido de comentarios escritos por los autores originales y por destacados expertos. El volumen cubre importantes avances en el campo, incluidos los primeros informes de instrumentos como reacTable, Overtone Violin, Pebblebox y Plank. También hay numerosos artÃculos que presentan nuevas plataformas y tecnologÃas de desarrollo, asà como reflexiones crÃticas, análisis teóricos y experiencias artÃsticas. La antologÃa está destinada a los recién llegados que quieran obtener una visión general de los avances recientes en la tecnologÃa musical. Las huellas históricas, las metadiscusiones y las reflexiones también serán de interés para los participantes veteranos del NIME. Por lo tanto, el libro sirve como un estudio de trabajos anteriores influyentes y como punto de partida para nuevos y emocionantes desarrollos futuros. |
| Nota de contenido: |
2001: Principles for Designing Computer Music Controllers -- 2001: Problems and Prospects for Intimate Musical Control of Computers -- 2002: The importance of parameter mapping in electronic instrument design -- 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing -- 2002: The Plank: Designing a Simple Haptic Controller -- 2003: Contexts of Collaborative Musical Experiences -- 2003: Sonigraphical Instruments: From FMOL to the reacTable* -- 2003: Designing, Playing, and Performing with a Vision-based Mouth Interface -- 2003: OpenSound Control: State of the Art 2003 -- 2004: The Electronic Sitar Controller -- 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis -- 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments -- 2004: On-the-fly Programming: Using Code as an Expressive Musical Instrument -- 2005: Towards a Dimension Space for Musical Devices -- 2005: The Overtone Violin -- 2006: Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance -- 2006: Mobile Music Technology: Report on an Emerging Community -- 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy -- 2007: Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control -- 2007: Expression and its Discontents: Toward an Ecology of Musical Creation -- 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments -- 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives -- 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide -- 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform -- 2012: The Fingerphone: a Case Study of Sustainable Instrument Redesign -- 2012: To be inside someone else's dream: Music for Sleeping & Waking Minds -- 2012:TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard -- 2013: The Web Browser As Synthesizer And Interface -- 2014: To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013 -- 2015: Fourteen Years of NIME: The Value and Meaning of 'Community' in Interactive Music Research. . |
| Tipo de medio : |
Computadora |
| Summary : |
What is a musical instrument? What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen year long history of the International Conference on New Interfaces for Musical Expression (NIME). NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies. Each of the papers is followed by commentaries written by the original authors and by leading experts. The volume covers important developments in the field, including the earliest reports of instruments like the reacTable, Overtone Violin, Pebblebox, and Plank. There are also numerous papers presenting new development platforms and technologies, as well as critical reflections, theoretical analyses and artistic experiences. The anthology is intended for newcomers who want to get an overview of recent advances in music technology. The historical traces,meta-discussions and reflections will also be of interest for longtime NIME participants. The book thus serves both as a survey of influential past work and as a starting point for new and exciting future developments. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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