TÃtulo : |
Narratives of Gendered Dissentin South Asian Cinemas |
Tipo de documento: |
documento electrónico |
Autores: |
Kurian, Alka (1963-) |
Editorial: |
Taylor & Francis Group |
Fecha de publicación: |
2012 |
Número de páginas: |
1 online resource (xiv, 195 pages) : |
Il.: |
illustration |
ISBN/ISSN/DL: |
978-1-136-46671-7 |
Palabras clave: |
Motion pictures Social aspects South Asia. Motion pictures Political aspects South Asia. Motion pictures Religious aspects South Asia. Women in motion pictures. Feminism and motion pictures. |
Clasificación: |
302.23/430954 |
Nota de contenido: |
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Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion. |
Enlace de acceso : |
https://elibro-net.biblioproxy.umanizales.edu.co/es/lc/umanizales/titulos/137481 |
Narratives of Gendered Dissentin South Asian Cinemas [documento electrónico] / Kurian, Alka (1963-) . - Taylor & Francis Group, 2012 . - 1 online resource (xiv, 195 pages) : : illustration. ISBN : 978-1-136-46671-7
Palabras clave: |
Motion pictures Social aspects South Asia. Motion pictures Political aspects South Asia. Motion pictures Religious aspects South Asia. Women in motion pictures. Feminism and motion pictures. |
Clasificación: |
302.23/430954 |
Nota de contenido: |
bla
Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion. |
Enlace de acceso : |
https://elibro-net.biblioproxy.umanizales.edu.co/es/lc/umanizales/titulos/137481 |
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