| TÃtulo : |
The Palgrave Handbook of the Philosophy of Film and Motion Pictures |
| Tipo de documento: |
documento electrónico |
| Autores: |
Carroll, Noël (1947-), ; Di Summa, Laura T., ; Loht, Shawn, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2019 |
| Número de páginas: |
XXVI, 1061 p. |
| ISBN/ISSN/DL: |
978-3-030-19601-1 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
Estética PelÃculas Transmisión de televisión TecnologÃa Estudios de Cine y Televisión FilosofÃa de la tecnologÃa TeorÃa cultural |
| Clasificación: |
111.85 |
| Resumen: |
Este manual reúne ensayos sobre la filosofÃa del cine y las pelÃculas de autoridades de todo el espectro. Cuenta con contribuciones tanto de filósofos como de teóricos del cine, y muchos ensayos emplean enfoques pluralistas de este tema interdisciplinario. Las áreas centrales tratadas incluyen la ontologÃa cinematográfica, la estructura cinematográfica, la psicologÃa, la autorÃa, la narrativa y las emociones del espectador. Las áreas de interés emergentes, incluida la realidad virtual, los videojuegos y las pelÃculas autobiográficas y de no ficción, también tienen capÃtulos dedicados. Otras áreas de interés incluyen la intersección del medio cinematográfico con las cuestiones sociales contemporáneas, el parentesco del cine con otras formas de arte y la influencia de escuelas de pensamiento históricamente fundamentales en la filosofÃa del cine. En muchos de los ensayos se hace hincapié en la relación y la superposición de las perspectivas analÃtica y continental en este tema. |
| Nota de contenido: |
1.Frank Boardman – Film Ontology: Extension, Criteria, and Candidates -- 2. Noël Carroll – Medium Specificity -- 3. Nick Wiltsher and Aaron Meskin– The Moving Image -- 4. Patrick Keating – The Art of Cinematography -- 5. Angela Curran – Silly Questions and Arguments for the Implicit, Cinematic Narrator -- 6. Patrick Keating – Narrative and the Moving Image -- 7. Karen Pearlman – On Rhythm in Film Editing -- 8. David Davies – Animation -- 9. Paloma Atencia-Linares – Sound in Film -- 10. Ted Nannicelli – What is a Screenplay? -- 11. Richard Eldridge – Analytic Philosophy of Film (Contrasted with Continental Film Theory) -- 12. John Ó Maoilearca – When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy -- 13. Shawn Loht – The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures -- 14. Espen Hammer – Ideology and Experience: The Legacy of Critical Theory -- 15. Paul Guyer – Stanley Cavell: What Becomes of People on Film? -- 16. Deborah Knight – Film Art from the Analytic Perspective -- 17. Carl Plantinga – Cognitive Theory of the Moving Image -- 18. Andrew Klevan – Aesthetic Criticism -- 19. Robert Sinnerbrink – Poststructuralism and Film -- 20. Eva M. Dadlez – Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments -- 21. Thomas E. Wartenberg – Contemporary Philosophical Filmmaking -- 22. Robert Sinnerbrink – Filmosophy/Film as Philosophy -- 23. Douglas Lackey – The Auteur Theory in the Age of the Mini-Series -- 24. Tom Gunning – The Question of Poetic Cinema -- 25. Malcolm Turvey – Avant-garde Film as Philosophy -- 26. Vitor Moura – Show and Tell: The identification of documentary film -- 27. Laura T. Di Summa – The Autobiographical Documentary -- 28. Zoë Cunliffe – Feminist Philosophy of Film -- 29. Lewis R. Gordon– Race in Film -- 30. David A. Gerstner – How Do We Look So Far? Notes Toward a Queer-Film Philosophy -- 31. Jacob M. Held – Film, Art, and Pornography -- 32. Sheryl Tuttle Ross – Propaganda and the Moving Image -- 33. Kristin Boyce – Film and Fine Art: Automatism, Automata and "The Myth of Total Cinema" in The Red Shoes and Tales of Hoffmann -- 34. John Dyck – The Sonic Art of Film and the Sonic Arts in Film -- 35. Garry L. Hagberg – Adaptation, Translation, and Philosophical Investigation in Adaptation -- 36. Jonathan Gilmore – Imagination and Film -- 37. Daniel Jerónimo Tobón– Empathy and Sympathy: Two Contemporary Models of Character Engagement -- 38. Jesse J. Prinz – Affect and Motion Pictures -- 39. Nick Pappas – Psychoanalysis and the Philosophy of Film -- 40. Ted Nannicelli – The Television Medium -- 41. Jon Robson and Aaron Meskin – Video games and Film -- 42. Gal Raz – Virtual Reality as an Emerging Art Medium and its Immersive Affordances. |
| Tipo de medio : |
Computadora |
| Summary : |
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium's intersection with contemporary social issues, film's kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
The Palgrave Handbook of the Philosophy of Film and Motion Pictures [documento electrónico] / Carroll, Noël (1947-), ; Di Summa, Laura T., ; Loht, Shawn, . - 1 ed. . - [s.l.] : Springer, 2019 . - XXVI, 1061 p. ISBN : 978-3-030-19601-1 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
Estética PelÃculas Transmisión de televisión TecnologÃa Estudios de Cine y Televisión FilosofÃa de la tecnologÃa TeorÃa cultural |
| Clasificación: |
111.85 |
| Resumen: |
Este manual reúne ensayos sobre la filosofÃa del cine y las pelÃculas de autoridades de todo el espectro. Cuenta con contribuciones tanto de filósofos como de teóricos del cine, y muchos ensayos emplean enfoques pluralistas de este tema interdisciplinario. Las áreas centrales tratadas incluyen la ontologÃa cinematográfica, la estructura cinematográfica, la psicologÃa, la autorÃa, la narrativa y las emociones del espectador. Las áreas de interés emergentes, incluida la realidad virtual, los videojuegos y las pelÃculas autobiográficas y de no ficción, también tienen capÃtulos dedicados. Otras áreas de interés incluyen la intersección del medio cinematográfico con las cuestiones sociales contemporáneas, el parentesco del cine con otras formas de arte y la influencia de escuelas de pensamiento históricamente fundamentales en la filosofÃa del cine. En muchos de los ensayos se hace hincapié en la relación y la superposición de las perspectivas analÃtica y continental en este tema. |
| Nota de contenido: |
1.Frank Boardman – Film Ontology: Extension, Criteria, and Candidates -- 2. Noël Carroll – Medium Specificity -- 3. Nick Wiltsher and Aaron Meskin– The Moving Image -- 4. Patrick Keating – The Art of Cinematography -- 5. Angela Curran – Silly Questions and Arguments for the Implicit, Cinematic Narrator -- 6. Patrick Keating – Narrative and the Moving Image -- 7. Karen Pearlman – On Rhythm in Film Editing -- 8. David Davies – Animation -- 9. Paloma Atencia-Linares – Sound in Film -- 10. Ted Nannicelli – What is a Screenplay? -- 11. Richard Eldridge – Analytic Philosophy of Film (Contrasted with Continental Film Theory) -- 12. John Ó Maoilearca – When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy -- 13. Shawn Loht – The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures -- 14. Espen Hammer – Ideology and Experience: The Legacy of Critical Theory -- 15. Paul Guyer – Stanley Cavell: What Becomes of People on Film? -- 16. Deborah Knight – Film Art from the Analytic Perspective -- 17. Carl Plantinga – Cognitive Theory of the Moving Image -- 18. Andrew Klevan – Aesthetic Criticism -- 19. Robert Sinnerbrink – Poststructuralism and Film -- 20. Eva M. Dadlez – Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments -- 21. Thomas E. Wartenberg – Contemporary Philosophical Filmmaking -- 22. Robert Sinnerbrink – Filmosophy/Film as Philosophy -- 23. Douglas Lackey – The Auteur Theory in the Age of the Mini-Series -- 24. Tom Gunning – The Question of Poetic Cinema -- 25. Malcolm Turvey – Avant-garde Film as Philosophy -- 26. Vitor Moura – Show and Tell: The identification of documentary film -- 27. Laura T. Di Summa – The Autobiographical Documentary -- 28. Zoë Cunliffe – Feminist Philosophy of Film -- 29. Lewis R. Gordon– Race in Film -- 30. David A. Gerstner – How Do We Look So Far? Notes Toward a Queer-Film Philosophy -- 31. Jacob M. Held – Film, Art, and Pornography -- 32. Sheryl Tuttle Ross – Propaganda and the Moving Image -- 33. Kristin Boyce – Film and Fine Art: Automatism, Automata and "The Myth of Total Cinema" in The Red Shoes and Tales of Hoffmann -- 34. John Dyck – The Sonic Art of Film and the Sonic Arts in Film -- 35. Garry L. Hagberg – Adaptation, Translation, and Philosophical Investigation in Adaptation -- 36. Jonathan Gilmore – Imagination and Film -- 37. Daniel Jerónimo Tobón– Empathy and Sympathy: Two Contemporary Models of Character Engagement -- 38. Jesse J. Prinz – Affect and Motion Pictures -- 39. Nick Pappas – Psychoanalysis and the Philosophy of Film -- 40. Ted Nannicelli – The Television Medium -- 41. Jon Robson and Aaron Meskin – Video games and Film -- 42. Gal Raz – Virtual Reality as an Emerging Art Medium and its Immersive Affordances. |
| Tipo de medio : |
Computadora |
| Summary : |
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium's intersection with contemporary social issues, film's kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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