debbie tucker green / Adiseshiah, Siân ; Bolton, Jacqueline  

Público ISBD Ningún comentario para este registro. Título : debbie tucker green : Critical Perspectives Tipo de documento: documento electrónico Autores: Adiseshiah, Siân, ; Bolton, Jacqueline, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2020 Número de páginas: XIII, 354 p. 15 ilustraciones, 1 ilustraciones en color. ISBN/ISSN/DL: 978-3-030-34581-5 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Las artes escénicas  Industrias culturales  Actores  Teatro y performance contemporáneos  Teatro y artes escénicas  Dirección y producción teatral  Teatro y Performance Nacional y Regional  Industria del teatro  Artistas y practicantes Clasificación: 792.9 Resumen: Este es el primer libro sobre Debbie Tucker Green y es probable que siga siendo el estudio definitivo y autorizado de esta importante dramaturga y directora durante las próximas décadas. Los ensayos que se incluyen en el volumen proporcionan nuevas metodologías para analizar no solo el teatro de Tucker Green, sino el teatro en general, al interactuar con Kamau Brathwaite y Tricia Rose sobre la musicalidad caribeña, Henry Louis Gates Jr sobre la creación de significados negros, Sara Ahmed y María Lugones sobre la agresión como resistencia a la injusticia, y Homi K. Bhabha y Stuart Hall sobre las identidades híbridas. Los ensayos presentan un argumento convincente para que Tucker Green sea el artista más importante y el activista de derechos humanos más dedicado en el escenario hoy". - Profesora Clare Finburgh Delijani, Goldsmiths University of London, Reino Unido Este esperado libro es el primer estudio completo de la obra de la extraordinaria dramaturga británica contemporánea negra, Debbie Tucker Green. Este libro, que abarca el período de 2000 (Two Women) a 2017 (una devoción profundamente afectuosa y apasionada por alguien (-sustantivo)), ofrece a académicos y estudiantes la oportunidad de participar en un debate crítico de vanguardia engendrado por las innovadoras obras dramáticas de Tucker Green para teatro, televisión y radio. Este libro innovador incluye contribuciones de una variedad de académicos destacados, incluidos especialistas en dramaturgia negra, académicos de teatro contemporáneo de primer nivel mundial y algunos de los mejores investigadores emergentes en el campo. Si bien siempre se centra en la precisión y el detalle del trabajo de Tucker Green, este libro simultáneamente replantea debates más amplios en torno al drama contemporáneo y su política, plantea nuevas preguntas sobre el teatro y provoca el pensamiento académico de maneras que, aunque de manera oblicua, contribuyen al cambio por el que las obras agitan. La Dra. Siân Adiseshiah es profesora titular de inglés y drama en la Universidad de Loughborough. Entre sus libros anteriores se incluyen (coeditado con Louise LePage) Twenty-First Century Drama: What Happens Now (Palgrave, 2016); (coeditado con Rupert Hildyard), Twenty-First Century Fiction: What Happens Now (Palgrave, 2014) y Churchill''s Socialism: Political Resistance in the Plays of Caryl Churchill (CSP, 2009). Actualmente está escribiendo una monografía, Utopian Drama: In Search of A Genre. La Dra. Jacqueline Bolton es profesora titular de teatro y drama en la Universidad de Lincoln. Ha colaborado con capítulos sobre Simon Stephens y la compañía de teatro Joint Stock en Modern British Playwriting: Voices, Documents, New Interpretations: the 2000s (Methuen, 2013) y British Theatre Companies: From Fringe to Mainstream (Methuen, 2015), y con artículos sobre la creación teatral contemporánea en Studies in Theatre and Performance y Contemporary Theatre Review. Actualmente está escribiendo una monografía sobre las obras de Simon Stephens. Nota de contenido: Chapter 1: 'change ain't fuckin polite, scuse my language': situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green's hang -- Chapter 3: 'What about the burn their bra bitches?': debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: 'I'm a black woman. I write black characters': Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: 'Almost, but not quite': Reconciling debbie tucker green's Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin', and debbie tucker green's Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green's stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green's Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green's trade -- Chapter 12: 'Hearing Voices': Performing the Mind in debbie tucker green's Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. Tipo de medio : Computadora Summary : "This is the first book on debbie tucker green and is likely to remain the definitive and authoritative study of this major playwright and director for decades to come. Essays across the volume provide fresh methodologies for analysing not only tucker green's theatre, but theatre at large, by engaging with Kamau Brathwaite and Tricia Rose on Caribbean musicality, Henry Louis Gates Jr on black meaning-making, Sara Ahmed and María Lugones on aggression as resistance to injustice, and Homi K. Bhabha and Stuart Hall on hybrid identities. The essays make a convincing case for tucker green as the most important artist and most dedicated human rights activist on the stage today." - Professor Clare Finburgh Delijani, Goldsmiths University of London, UK This long-awaited book is the first full-length study of the work of the extraordinary contemporary black British playwright, debbie tucker green. Covering the period from 2000 (Two Women) to 2017 (a profoundly affectionate, passionate devotion to someone (-noun)), it offers scholars and students the opportunity to engage in cutting-edge critical debate engendered by tucker green's innovative dramatic works for stage, television, and radio. This groundbreaking book includes contributions by a range of outstanding scholars, including black playwriting specialists, world-leading contemporary theatre scholars and some of the very best emerging researchers in the field. While always focused on the precision and detail of tucker green's work, this book simultaneously reframes broader debates around contemporary drama and its politics, poses new questions of theatre, and provokes scholarly thinking in ways that, however obliquely, contribute to the change for which the plays agitate. Dr Siân Adiseshiah is Senior Lecturer in English and Drama at Loughborough University. Her previous books include (co-edited with Louise LePage) Twenty-First Century Drama: What Happens Now (Palgrave, 2016); (co-edited with Rupert Hildyard), Twenty-First Century Fiction: What Happens Now (Palgrave, 2014) and Churchill's Socialism: Political Resistance in the Plays of Caryl Churchill (CSP, 2009). She is currently writing a monograph, Utopian Drama: In Search of A Genre. Dr Jacqueline Bolton is Senior Lecturer in Theatre and Drama at the University of Lincoln. She has contributed chapters on Simon Stephens and Joint Stock theatre company to Modern British Playwriting: Voices, Documents, New Interpretations: the 2000s (Methuen, 2013) and British Theatre Companies: From Fringe to Mainstream (Methuen, 2015), and articles on contemporary theatre-making to Studies in Theatre and Performance and Contemporary Theatre Review. She is currently writing a monograph on the plays of Simon Stephens. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] debbie tucker green : Critical Perspectives [documento electrónico] / Adiseshiah, Siân, ; Bolton, Jacqueline,  . -  1 ed.  . - [s.l.] : Springer, 2020 . - XIII, 354 p. 15 ilustraciones, 1 ilustraciones en color. ISBN : 978-3-030-34581-5 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Las artes escénicas  Industrias culturales  Actores  Teatro y performance contemporáneos  Teatro y artes escénicas  Dirección y producción teatral  Teatro y Performance Nacional y Regional  Industria del teatro  Artistas y practicantes Clasificación: 792.9 Resumen: Este es el primer libro sobre Debbie Tucker Green y es probable que siga siendo el estudio definitivo y autorizado de esta importante dramaturga y directora durante las próximas décadas. Los ensayos que se incluyen en el volumen proporcionan nuevas metodologías para analizar no solo el teatro de Tucker Green, sino el teatro en general, al interactuar con Kamau Brathwaite y Tricia Rose sobre la musicalidad caribeña, Henry Louis Gates Jr sobre la creación de significados negros, Sara Ahmed y María Lugones sobre la agresión como resistencia a la injusticia, y Homi K. Bhabha y Stuart Hall sobre las identidades híbridas. Los ensayos presentan un argumento convincente para que Tucker Green sea el artista más importante y el activista de derechos humanos más dedicado en el escenario hoy". - Profesora Clare Finburgh Delijani, Goldsmiths University of London, Reino Unido Este esperado libro es el primer estudio completo de la obra de la extraordinaria dramaturga británica contemporánea negra, Debbie Tucker Green. Este libro, que abarca el período de 2000 (Two Women) a 2017 (una devoción profundamente afectuosa y apasionada por alguien (-sustantivo)), ofrece a académicos y estudiantes la oportunidad de participar en un debate crítico de vanguardia engendrado por las innovadoras obras dramáticas de Tucker Green para teatro, televisión y radio. Este libro innovador incluye contribuciones de una variedad de académicos destacados, incluidos especialistas en dramaturgia negra, académicos de teatro contemporáneo de primer nivel mundial y algunos de los mejores investigadores emergentes en el campo. Si bien siempre se centra en la precisión y el detalle del trabajo de Tucker Green, este libro simultáneamente replantea debates más amplios en torno al drama contemporáneo y su política, plantea nuevas preguntas sobre el teatro y provoca el pensamiento académico de maneras que, aunque de manera oblicua, contribuyen al cambio por el que las obras agitan. La Dra. Siân Adiseshiah es profesora titular de inglés y drama en la Universidad de Loughborough. Entre sus libros anteriores se incluyen (coeditado con Louise LePage) Twenty-First Century Drama: What Happens Now (Palgrave, 2016); (coeditado con Rupert Hildyard), Twenty-First Century Fiction: What Happens Now (Palgrave, 2014) y Churchill''s Socialism: Political Resistance in the Plays of Caryl Churchill (CSP, 2009). Actualmente está escribiendo una monografía, Utopian Drama: In Search of A Genre. La Dra. Jacqueline Bolton es profesora titular de teatro y drama en la Universidad de Lincoln. Ha colaborado con capítulos sobre Simon Stephens y la compañía de teatro Joint Stock en Modern British Playwriting: Voices, Documents, New Interpretations: the 2000s (Methuen, 2013) y British Theatre Companies: From Fringe to Mainstream (Methuen, 2015), y con artículos sobre la creación teatral contemporánea en Studies in Theatre and Performance y Contemporary Theatre Review. Actualmente está escribiendo una monografía sobre las obras de Simon Stephens. Nota de contenido: Chapter 1: 'change ain't fuckin polite, scuse my language': situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green's hang -- Chapter 3: 'What about the burn their bra bitches?': debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: 'I'm a black woman. I write black characters': Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: 'Almost, but not quite': Reconciling debbie tucker green's Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin', and debbie tucker green's Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green's stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green's Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green's trade -- Chapter 12: 'Hearing Voices': Performing the Mind in debbie tucker green's Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. Tipo de medio : Computadora Summary : "This is the first book on debbie tucker green and is likely to remain the definitive and authoritative study of this major playwright and director for decades to come. Essays across the volume provide fresh methodologies for analysing not only tucker green's theatre, but theatre at large, by engaging with Kamau Brathwaite and Tricia Rose on Caribbean musicality, Henry Louis Gates Jr on black meaning-making, Sara Ahmed and María Lugones on aggression as resistance to injustice, and Homi K. Bhabha and Stuart Hall on hybrid identities. The essays make a convincing case for tucker green as the most important artist and most dedicated human rights activist on the stage today." - Professor Clare Finburgh Delijani, Goldsmiths University of London, UK This long-awaited book is the first full-length study of the work of the extraordinary contemporary black British playwright, debbie tucker green. Covering the period from 2000 (Two Women) to 2017 (a profoundly affectionate, passionate devotion to someone (-noun)), it offers scholars and students the opportunity to engage in cutting-edge critical debate engendered by tucker green's innovative dramatic works for stage, television, and radio. This groundbreaking book includes contributions by a range of outstanding scholars, including black playwriting specialists, world-leading contemporary theatre scholars and some of the very best emerging researchers in the field. While always focused on the precision and detail of tucker green's work, this book simultaneously reframes broader debates around contemporary drama and its politics, poses new questions of theatre, and provokes scholarly thinking in ways that, however obliquely, contribute to the change for which the plays agitate. Dr Siân Adiseshiah is Senior Lecturer in English and Drama at Loughborough University. Her previous books include (co-edited with Louise LePage) Twenty-First Century Drama: What Happens Now (Palgrave, 2016); (co-edited with Rupert Hildyard), Twenty-First Century Fiction: What Happens Now (Palgrave, 2014) and Churchill's Socialism: Political Resistance in the Plays of Caryl Churchill (CSP, 2009). She is currently writing a monograph, Utopian Drama: In Search of A Genre. Dr Jacqueline Bolton is Senior Lecturer in Theatre and Drama at the University of Lincoln. She has contributed chapters on Simon Stephens and Joint Stock theatre company to Modern British Playwriting: Voices, Documents, New Interpretations: the 2000s (Methuen, 2013) and British Theatre Companies: From Fringe to Mainstream (Methuen, 2015), and articles on contemporary theatre-making to Studies in Theatre and Performance and Contemporary Theatre Review. She is currently writing a monograph on the plays of Simon Stephens. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]

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