The Palgrave Handbook of Theatre and Race / Morosetti, Tiziana ; Okagbue, Osita  

Público ISBD Ningún comentario para este registro. Título : The Palgrave Handbook of Theatre and Race Tipo de documento: documento electrónico Autores: Morosetti, Tiziana, ; Okagbue, Osita, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2021 Número de páginas: XVI, 518 p. ISBN/ISSN/DL: 978-3-030-43957-6 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Criminología crítica  Las artes escénicas  Teatro y Performance Global e Internacional  Teatro y performance contemporáneos  Historia del teatro  Teatro y Performance Nacional y Regional  Teatro y artes escénicas Clasificación: 792.9 Resumen: Este libro, la primera publicación integral sobre el tema, investiga las interacciones entre el pensamiento racial y el escenario en el mundo moderno y contemporáneo, con 25 ensayos sobre estudios de casos que arrojarán luz sobre áreas previamente descuidadas por la crítica y al mismo tiempo brindarán nuevas perspectivas sobre contextos ya investigados. . Al examinar actuaciones de Europa, América, Medio Oriente, África, China, Australia, Nueva Zelanda y las islas del Pacífico Sur, esta colección en última instancia enmarca la historia de las narrativas raciales en el escenario en un contexto global, restableciendo la comprensión de la raza en público. discurso. Nota de contenido: 1. Introduction -- Part I. Race and Racism in Contemporary Theatre -- 2. The American Theatrical Canon and the Struggle for Racial Equality in British Theatre -- 3. Racialization and Contemporary German Theatre -- 4. Dangerous Dialogues': Questioning Constructions of Race in South Pacific Theatre -- 5 Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada -- 6. Representing the Roma Experience on the Contemporary Romanian Stage: The Intersectional Lenses of Giuvlipen's Anti-racist and Feminist Theatre Works -- Part II. War, Conflict and the Nation -- 7. Race as Category in Nazi German Theatre -- 8. Māori Theatre in Not-Quite-Post-Colonial Aotearoa New Zealand -- 9. Racial Nationalism and the Serbian Theatre: From Radovan III to DAH -- 10. The Palestinians in the Israeli Theatre -- 11. Faces of a Long Unspoken Collective Trauma: Theatrical Representations of Friendship, Love, Betrayal, andPain in the Landscape of War in Contemporary Turkey -- 12. Staging Race in White South African Afrikaans Theatre -- Part III. Blackness and the African Diaspora -- 13. In the Prison of Their Skins: Performing Race in Caribbean Theatre -- 14. Black Women in Post-revolutionary Cuban Theatreer -- 15. Black Performances and Black Artists Performing in Contemporary Brazil -- 16. Lackface: Blackface Masking in Contemporary US Theatre -- 17. Fighting Racism on the Contemporary Francophone Stage -- 18. 'Though we are written into the landscape you don't see us' (Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking -- Part IV. Constructions of Whiteness and the 'Other' -- 19. 'A Wretched Caricature…Unworthy of America': Charles Mathews's Representation of the Yankee -- 20. The Language of Blackness: Representations of Africans and African-Americans on the British Stage After Uncle Tom's Cabin -- 21. Susan Glaspell's Trifles and Inheritors: White Settler Hunger, Debt and the Blackhawk Purchase Lands -- 22. Beyond the Peyote Dance: The Raramuri Tribe and 'Mexico' Representations in Antonin Artaud's Work -- 23. Representing and Re-presenting Others in Yorùbá Performance -- 24. Pigs and Dogs and The Bogus Woman: Racialized Performance in Anglo-British Women Playwrights -- 25. Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre. Tipo de medio : Computadora Summary : The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] The Palgrave Handbook of Theatre and Race [documento electrónico] / Morosetti, Tiziana, ; Okagbue, Osita,  . -  1 ed.  . - [s.l.] : Springer, 2021 . - XVI, 518 p. ISBN : 978-3-030-43957-6 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Criminología crítica  Las artes escénicas  Teatro y Performance Global e Internacional  Teatro y performance contemporáneos  Historia del teatro  Teatro y Performance Nacional y Regional  Teatro y artes escénicas Clasificación: 792.9 Resumen: Este libro, la primera publicación integral sobre el tema, investiga las interacciones entre el pensamiento racial y el escenario en el mundo moderno y contemporáneo, con 25 ensayos sobre estudios de casos que arrojarán luz sobre áreas previamente descuidadas por la crítica y al mismo tiempo brindarán nuevas perspectivas sobre contextos ya investigados. . Al examinar actuaciones de Europa, América, Medio Oriente, África, China, Australia, Nueva Zelanda y las islas del Pacífico Sur, esta colección en última instancia enmarca la historia de las narrativas raciales en el escenario en un contexto global, restableciendo la comprensión de la raza en público. discurso. Nota de contenido: 1. Introduction -- Part I. Race and Racism in Contemporary Theatre -- 2. The American Theatrical Canon and the Struggle for Racial Equality in British Theatre -- 3. Racialization and Contemporary German Theatre -- 4. Dangerous Dialogues': Questioning Constructions of Race in South Pacific Theatre -- 5 Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada -- 6. Representing the Roma Experience on the Contemporary Romanian Stage: The Intersectional Lenses of Giuvlipen's Anti-racist and Feminist Theatre Works -- Part II. War, Conflict and the Nation -- 7. Race as Category in Nazi German Theatre -- 8. Māori Theatre in Not-Quite-Post-Colonial Aotearoa New Zealand -- 9. Racial Nationalism and the Serbian Theatre: From Radovan III to DAH -- 10. The Palestinians in the Israeli Theatre -- 11. Faces of a Long Unspoken Collective Trauma: Theatrical Representations of Friendship, Love, Betrayal, andPain in the Landscape of War in Contemporary Turkey -- 12. Staging Race in White South African Afrikaans Theatre -- Part III. Blackness and the African Diaspora -- 13. In the Prison of Their Skins: Performing Race in Caribbean Theatre -- 14. Black Women in Post-revolutionary Cuban Theatreer -- 15. Black Performances and Black Artists Performing in Contemporary Brazil -- 16. Lackface: Blackface Masking in Contemporary US Theatre -- 17. Fighting Racism on the Contemporary Francophone Stage -- 18. 'Though we are written into the landscape you don't see us' (Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking -- Part IV. Constructions of Whiteness and the 'Other' -- 19. 'A Wretched Caricature…Unworthy of America': Charles Mathews's Representation of the Yankee -- 20. The Language of Blackness: Representations of Africans and African-Americans on the British Stage After Uncle Tom's Cabin -- 21. Susan Glaspell's Trifles and Inheritors: White Settler Hunger, Debt and the Blackhawk Purchase Lands -- 22. Beyond the Peyote Dance: The Raramuri Tribe and 'Mexico' Representations in Antonin Artaud's Work -- 23. Representing and Re-presenting Others in Yorùbá Performance -- 24. Pigs and Dogs and The Bogus Woman: Racialized Performance in Anglo-British Women Playwrights -- 25. Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre. Tipo de medio : Computadora Summary : The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]

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