Script Development / Batty, Craig ; Taylor, Stayci  

Público ISBD Ningún comentario para este registro. Título : Script Development : Critical Approaches, Creative Practices, International Perspectives Tipo de documento: documento electrónico Autores: Batty, Craig, ; Taylor, Stayci, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2021 Número de páginas: XXII, 296 p. 25 ilustraciones, 15 ilustraciones en color. ISBN/ISSN/DL: 978-3-030-48713-3 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Autoría cinematográfica  Escritura de guiones  Producción de cine y televisión Clasificación: 808.23 Resumen: Este libro ofrece la primera mirada internacional sobre cómo se teoriza y practica el desarrollo de guiones. A partir de entrevistas, estudios de casos, análisis del discurso, prácticas creativas y experiencias de la industria, reúne a académicos y profesionales de todo el mundo para ofrecer ideas críticas sobre este aspecto central, pero a menudo oculto, de la escritura y la producción de guiones. Los capítulos especulan y reflexionan sobre cómo las prácticas creativas, comerciales y sociales (en las que ideas, emociones, personas y personalidades se combinan, cohesionan y chocan) están determinadas por los aspectos prácticos, las políticas y los rápidos movimientos de la industria de la pantalla. El libro, que consta de dos partes, analiza en primer lugar el desarrollo de guiones desde una perspectiva teórica y, en segundo lugar, mira "fuera de" la práctica para formar perspectivas del desarrollo de guiones dirigidas por profesionales. Con un interés creciente en los estudios de producción y escritura de guiones, y un mayor apetito por la investigación basada en la práctica, el libro ofrece un mapeo oportuno del terreno del desarrollo de guiones, proporcionando bases ricas tanto para el estudio como para la práctica. Nota de contenido: Part 1: Looking into Script Development: Theories on Practice -- 1. Originality, and Development of the Screen Idea, Ian W. Macdonald -- 2. How Government Policy Defines Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute, Radha O'Meara and Cath Moore -- 3. Screenplay Development and the Post-Socialist Producer: A Small-Market Perspective, Petr Szczepanik -- 4. The Persistence of Cultural Vision: Australian Screenwriting 1994-2013, Glenda Hambly -- 5. Beyond Stereotype: Collaborative Script Development for Stories about Mental Illness and Suicide, Fincina Hopgood -- 6. Network Television Writers and the 'Race Problems' of 1968, Caryn Murphy -- 7. Telling Stories about Yesterday's Hero for Today's World: The Script Development of Chilean TV series Heroes (2006-2007), Carmen Sofia Brenes, Margaret McVeigh and Alejandro C. Reid -- 8. Author and Screenwriter Working Together on an Adapted Script: The Case of O quatrilho, Clarissa Mazon Miranda -- 9. Establishing a Shared Cultural Domain within European Co-Production: Nordic Noir as Boundary Object, Rosamund Davies -- Part 2: Looking out from Script Development: Practice into Theory -- 10. Holding Ground and Moving Targets: Scripting Urban Terror in East Africa, Joshua McNamara -- 11. Screenplay Development and Social Change in Papua New Guinea, Mark Eby -- 12. Uncertainty, Risk and Entering Unsafe Territory: Exploring the Writing Process of a New Zealand Indigenous Screenwriter, Christina Milligan -- 13. So Much Drama, So Little Time: Script Development in Australian Fast Turnaround Serial Drama, Philippa Burne and Noel Maloney -- 14. Finding the Beats in the TV Sitcom, D.T. Klika15. The Promiscuous Screenplay: Writing with Anything and Everything, Siobhan Jackson -- 16. Subjects of the Gaze: Script Development as Performance, Emma Bolland and Louise Sawtell. Tipo de medio : Computadora Summary : This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks 'into' script development from a theoretical perspective, and second looks 'out from' the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrainof script development, providing rich foundations for both study and practice. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] Script Development : Critical Approaches, Creative Practices, International Perspectives [documento electrónico] / Batty, Craig, ; Taylor, Stayci,  . -  1 ed.  . - [s.l.] : Springer, 2021 . - XXII, 296 p. 25 ilustraciones, 15 ilustraciones en color. ISBN : 978-3-030-48713-3 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Autoría cinematográfica  Escritura de guiones  Producción de cine y televisión Clasificación: 808.23 Resumen: Este libro ofrece la primera mirada internacional sobre cómo se teoriza y practica el desarrollo de guiones. A partir de entrevistas, estudios de casos, análisis del discurso, prácticas creativas y experiencias de la industria, reúne a académicos y profesionales de todo el mundo para ofrecer ideas críticas sobre este aspecto central, pero a menudo oculto, de la escritura y la producción de guiones. Los capítulos especulan y reflexionan sobre cómo las prácticas creativas, comerciales y sociales (en las que ideas, emociones, personas y personalidades se combinan, cohesionan y chocan) están determinadas por los aspectos prácticos, las políticas y los rápidos movimientos de la industria de la pantalla. El libro, que consta de dos partes, analiza en primer lugar el desarrollo de guiones desde una perspectiva teórica y, en segundo lugar, mira "fuera de" la práctica para formar perspectivas del desarrollo de guiones dirigidas por profesionales. Con un interés creciente en los estudios de producción y escritura de guiones, y un mayor apetito por la investigación basada en la práctica, el libro ofrece un mapeo oportuno del terreno del desarrollo de guiones, proporcionando bases ricas tanto para el estudio como para la práctica. Nota de contenido: Part 1: Looking into Script Development: Theories on Practice -- 1. Originality, and Development of the Screen Idea, Ian W. Macdonald -- 2. How Government Policy Defines Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute, Radha O'Meara and Cath Moore -- 3. Screenplay Development and the Post-Socialist Producer: A Small-Market Perspective, Petr Szczepanik -- 4. The Persistence of Cultural Vision: Australian Screenwriting 1994-2013, Glenda Hambly -- 5. Beyond Stereotype: Collaborative Script Development for Stories about Mental Illness and Suicide, Fincina Hopgood -- 6. Network Television Writers and the 'Race Problems' of 1968, Caryn Murphy -- 7. Telling Stories about Yesterday's Hero for Today's World: The Script Development of Chilean TV series Heroes (2006-2007), Carmen Sofia Brenes, Margaret McVeigh and Alejandro C. Reid -- 8. Author and Screenwriter Working Together on an Adapted Script: The Case of O quatrilho, Clarissa Mazon Miranda -- 9. Establishing a Shared Cultural Domain within European Co-Production: Nordic Noir as Boundary Object, Rosamund Davies -- Part 2: Looking out from Script Development: Practice into Theory -- 10. Holding Ground and Moving Targets: Scripting Urban Terror in East Africa, Joshua McNamara -- 11. Screenplay Development and Social Change in Papua New Guinea, Mark Eby -- 12. Uncertainty, Risk and Entering Unsafe Territory: Exploring the Writing Process of a New Zealand Indigenous Screenwriter, Christina Milligan -- 13. So Much Drama, So Little Time: Script Development in Australian Fast Turnaround Serial Drama, Philippa Burne and Noel Maloney -- 14. Finding the Beats in the TV Sitcom, D.T. Klika15. The Promiscuous Screenplay: Writing with Anything and Everything, Siobhan Jackson -- 16. Subjects of the Gaze: Script Development as Performance, Emma Bolland and Louise Sawtell. Tipo de medio : Computadora Summary : This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks 'into' script development from a theoretical perspective, and second looks 'out from' the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrainof script development, providing rich foundations for both study and practice. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]

The Palgrave Handbook of Script Development / Taylor, Stayci ; Batty, Craig  

Público ISBD Ningún comentario para este registro. Título : The Palgrave Handbook of Script Development Tipo de documento: documento electrónico Autores: Taylor, Stayci, ; Batty, Craig, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2021 Número de páginas: XXVII, 617 p. 35 ilustraciones, 13 ilustraciones en color. ISBN/ISSN/DL: 978-3-030-82234-7 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Autoría cinematográfica  Escritura de guiones  Producción de cine y televisión Clasificación: 808.23 Resumen: El Manual de desarrollo de guiones proporciona una guía creativa y crítica para quienes estudian, enseñan y trabajan en el desarrollo de historias para la pantalla. La perspectiva internacional más amplia es muy valiosa en el clima mediático actual, donde los guionistas venden historias a servicios de streaming con un "Estamos atentos a reunir espectadores de todo el mundo. Un producto tan intercultural requiere exposición a nuevas ideas sobre cómo se desarrollan los guiones, que es exactamente la perspectiva que descubrí en estas páginas". --- Dra. Rosanne Welch, directora ejecutiva, Maestría en Bellas Artes en Televisión y Escritura de Guiones de Stephens College El Manual Palgrave de Desarrollo de Guiones proporciona la primera descripción general completa de las prácticas internacionales de desarrollo de guiones. A lo largo de 40 capítulos únicos, los lectores son guiados a través de los desafíos, roles y culturas clave del desarrollo de guiones, desde las perspectivas de los creadores de obras originales, aquellos en roles consultivos y aquellos que brindan estudios de casos contextuales más amplios. Los autores nos llevan al interior de la sala de escritores, junto al editor de guiones, entre conversaciones de desarrollo, y fuera de la corriente principal y hacia lo experimental. Con autores que abarcan más de 15 países y que ocupan una variedad de roles, incluidos escritores, editores de guiones, productores, consultores de guiones, ejecutivos, profesores y académicos, esta es una perspectiva verdaderamente internacional sobre cómo funciona el desarrollo de guiones (o no) en los medios y plataformas. El manual, que consta de cuatro partes, guía a los lectores detrás de escena del desarrollo de guiones, explorando contextos únicos, enfoques alternativos, culturas de producción específicas y contextos globales, basándose en entrevistas, archivos, políticas, investigaciones de estudios de casos y información privilegiada. Con su amplio enfoque hacia una práctica especializada, el Manual Palgrave de Desarrollo de Guiones es para cualquier persona que practique, enseñe o estudie escritura y producción de guiones. Stayci Taylor es profesora de Medios en la Universidad RMIT, Australia. Es una guionista e investigadora galardonada, con numerosas publicaciones sobre guiones, series web y escritura creativa. Craig Batty es Decano de Investigación (Creativa) de la Universidad de Australia del Sur. Es un educador e investigador galardonado en el campo de la escritura de guiones, y también es escritor, editor de guiones y consultor de guiones. Nota de contenido: Part 1: 'Behind the scenes' of script development -- Chapter 1: The Feedback Phenomenon: dealing with multiple voices in the development of original screenplays -- Chapter 2: Script Readers as Gatekeepers: demystifying processes of script coverage -- Chapter 3: A Creative Pilgrimage: negotiating Authenticity, Creativity and Budget in the medieval web series Tales of Bacon -- Chapter 4: Creating the Low Budget Feature Film Script: development as emergence -- Chapter 5: Script Development on Unscripted Television: Grand Designs and the spectacle of the reveal -- Chapter 6: Saying What Must Not Be Said: exploring communication in the script development process -- Chapter 7: Scripting Creative Documentary Film: developing the 'Script' for Not Reconciled -- Chapter 8: Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian showrunner -- Chapter 9: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development -- Chapter 10: The Business of Script Development: insights from industry practitioners -- Part 2: Script Development in Time and Place -- Chapter 11: Doctoring La Cacería, las niñas de Alto Hospicio: issues in cross-cultural script consulting -- Chapter 12: Script development as a collective enterprise: the writing of the indigenous feature film Waru -- Chapter 13: Independent, Short and Controversial: the script development of San Sabba -- Chapter 14: How Angelica Became The Strange Case of Angelica: from the idea to the script to the book to the film -- Chapter 15: Scripting for the Masses: notes on the political economy of Bollywood -- Chapter 16: Respectful Partnerships/Cultural Integrity: applying ethical protocols to the scripting of No Longer a Wandering Spirit -- Chapter 17: Writers' Room and Showrunner: discourses and practices in the German TV industry -- Chapter 18: The ASEAN ROK RICE LAB: voices across Asia, stories about rice -- Chapter 19: 1 + 1 = 3: Danish collaborative practice in screen idea and story development -- Chapter 20: Scottish Modernism Goes to New Hollywood: tracing the script development of Alan Sharp's Night Moves -- Part 3: Alternative Approaches -- Chapter 21: Creating Kaleidoscopic Characters: working with performance to develop character stories prior to the screen story -- Chapter 22: Lean Script Development in the Available Materials School of Filmmaking: this is dedicated to The One I Love -- Chapter 23: Pedagogy-Led Practice and Practice-Led Pedagogy: a feedback loop of teaching and screenwriting -- Chapter 24: A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: researching the script development process -- Chapter 25: Scripting and the Multimodal Screenplay within the Script Development Process -- Chapter 26: Don't eat my baby: collisions, development and Indigenous consultation in the Australian family feature film screenplay, Dingo -- Chapter 27: The Application of an 'Eternal Dance' Methodology in the Development of an Original Screenplay -- Chapter 28: A Collaborative Reflection Between Writer, Director and Actors: table reading as scriptwriting 'intervention' -- Chapter 29: Hitting the Road: performing the journey as a development strategy in Paris, Texas and Goodbye Pork Pie -- Chapter 30: Development Across the Intercultural Divide: scripting stories with 'other' groups -- Part 4: Unique Contexts of Script Development -- Chapter 31: Productive Interventions: collaborative script development for stories about mental health issues and suicide -- Chapter 32: Place, presence and play: A listening, co-active approach to story development -- Chapter 33: Crafting immersive experiences: a case study of the development of three short narrative cinematic virtual reality (CVR) projects -- Chapter 34: Script Development as Communicative Process: the case of Notorious -- Chapter 35: Between video games and television shows, towards meta script development practices? -- Chapter 36: Developing Texts for Animated Opera: a unique case study -- Chapter 37: From Comedy to Drama: the curious case study of Queenpin -- Chapter 38: 'You never know who is in control': German transmedia content development -- Chapter 39: Violet City: script development from novel to green screen fantasy feature -- Chapter 40: Checking The Black List Twice: the ambiguous industry role of script development services. Tipo de medio : Computadora Summary : "The Handbook of Script Development provides a creative and critical guide for those who study, teach and work on the development of stories for the screen. The larger, international perspective is highly valuable in today's media climate where screenwriters sell stories to streaming services with an eye on collecting viewers from all over the world. Such a cross-cultural product requires exposure to new ideas in how scripts are developed which is exactly the perspective I discovered in these pages." --- Dr Rosanne Welch, Executive Director, Stephens College MFA in TV and Screenwriting The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers' room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles – including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production. Stayci Taylor is a Lecturer in Media at RMIT University, Australia. She is an award-winning screenwriter and researcher, published widely on screenwriting, web series and creative writing. Craig Batty is Dean of Research (Creative) at the University of South Australia. He is an award-winning educator and researcher in the field of screenwriting, and is also a writer, script editor and script consultant. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] The Palgrave Handbook of Script Development [documento electrónico] / Taylor, Stayci, ; Batty, Craig,  . -  1 ed.  . - [s.l.] : Springer, 2021 . - XXVII, 617 p. 35 ilustraciones, 13 ilustraciones en color. ISBN : 978-3-030-82234-7 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Autoría cinematográfica  Escritura de guiones  Producción de cine y televisión Clasificación: 808.23 Resumen: El Manual de desarrollo de guiones proporciona una guía creativa y crítica para quienes estudian, enseñan y trabajan en el desarrollo de historias para la pantalla. La perspectiva internacional más amplia es muy valiosa en el clima mediático actual, donde los guionistas venden historias a servicios de streaming con un "Estamos atentos a reunir espectadores de todo el mundo. Un producto tan intercultural requiere exposición a nuevas ideas sobre cómo se desarrollan los guiones, que es exactamente la perspectiva que descubrí en estas páginas". --- Dra. Rosanne Welch, directora ejecutiva, Maestría en Bellas Artes en Televisión y Escritura de Guiones de Stephens College El Manual Palgrave de Desarrollo de Guiones proporciona la primera descripción general completa de las prácticas internacionales de desarrollo de guiones. A lo largo de 40 capítulos únicos, los lectores son guiados a través de los desafíos, roles y culturas clave del desarrollo de guiones, desde las perspectivas de los creadores de obras originales, aquellos en roles consultivos y aquellos que brindan estudios de casos contextuales más amplios. Los autores nos llevan al interior de la sala de escritores, junto al editor de guiones, entre conversaciones de desarrollo, y fuera de la corriente principal y hacia lo experimental. Con autores que abarcan más de 15 países y que ocupan una variedad de roles, incluidos escritores, editores de guiones, productores, consultores de guiones, ejecutivos, profesores y académicos, esta es una perspectiva verdaderamente internacional sobre cómo funciona el desarrollo de guiones (o no) en los medios y plataformas. El manual, que consta de cuatro partes, guía a los lectores detrás de escena del desarrollo de guiones, explorando contextos únicos, enfoques alternativos, culturas de producción específicas y contextos globales, basándose en entrevistas, archivos, políticas, investigaciones de estudios de casos y información privilegiada. Con su amplio enfoque hacia una práctica especializada, el Manual Palgrave de Desarrollo de Guiones es para cualquier persona que practique, enseñe o estudie escritura y producción de guiones. Stayci Taylor es profesora de Medios en la Universidad RMIT, Australia. Es una guionista e investigadora galardonada, con numerosas publicaciones sobre guiones, series web y escritura creativa. Craig Batty es Decano de Investigación (Creativa) de la Universidad de Australia del Sur. Es un educador e investigador galardonado en el campo de la escritura de guiones, y también es escritor, editor de guiones y consultor de guiones. Nota de contenido: Part 1: 'Behind the scenes' of script development -- Chapter 1: The Feedback Phenomenon: dealing with multiple voices in the development of original screenplays -- Chapter 2: Script Readers as Gatekeepers: demystifying processes of script coverage -- Chapter 3: A Creative Pilgrimage: negotiating Authenticity, Creativity and Budget in the medieval web series Tales of Bacon -- Chapter 4: Creating the Low Budget Feature Film Script: development as emergence -- Chapter 5: Script Development on Unscripted Television: Grand Designs and the spectacle of the reveal -- Chapter 6: Saying What Must Not Be Said: exploring communication in the script development process -- Chapter 7: Scripting Creative Documentary Film: developing the 'Script' for Not Reconciled -- Chapter 8: Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian showrunner -- Chapter 9: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development -- Chapter 10: The Business of Script Development: insights from industry practitioners -- Part 2: Script Development in Time and Place -- Chapter 11: Doctoring La Cacería, las niñas de Alto Hospicio: issues in cross-cultural script consulting -- Chapter 12: Script development as a collective enterprise: the writing of the indigenous feature film Waru -- Chapter 13: Independent, Short and Controversial: the script development of San Sabba -- Chapter 14: How Angelica Became The Strange Case of Angelica: from the idea to the script to the book to the film -- Chapter 15: Scripting for the Masses: notes on the political economy of Bollywood -- Chapter 16: Respectful Partnerships/Cultural Integrity: applying ethical protocols to the scripting of No Longer a Wandering Spirit -- Chapter 17: Writers' Room and Showrunner: discourses and practices in the German TV industry -- Chapter 18: The ASEAN ROK RICE LAB: voices across Asia, stories about rice -- Chapter 19: 1 + 1 = 3: Danish collaborative practice in screen idea and story development -- Chapter 20: Scottish Modernism Goes to New Hollywood: tracing the script development of Alan Sharp's Night Moves -- Part 3: Alternative Approaches -- Chapter 21: Creating Kaleidoscopic Characters: working with performance to develop character stories prior to the screen story -- Chapter 22: Lean Script Development in the Available Materials School of Filmmaking: this is dedicated to The One I Love -- Chapter 23: Pedagogy-Led Practice and Practice-Led Pedagogy: a feedback loop of teaching and screenwriting -- Chapter 24: A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: researching the script development process -- Chapter 25: Scripting and the Multimodal Screenplay within the Script Development Process -- Chapter 26: Don't eat my baby: collisions, development and Indigenous consultation in the Australian family feature film screenplay, Dingo -- Chapter 27: The Application of an 'Eternal Dance' Methodology in the Development of an Original Screenplay -- Chapter 28: A Collaborative Reflection Between Writer, Director and Actors: table reading as scriptwriting 'intervention' -- Chapter 29: Hitting the Road: performing the journey as a development strategy in Paris, Texas and Goodbye Pork Pie -- Chapter 30: Development Across the Intercultural Divide: scripting stories with 'other' groups -- Part 4: Unique Contexts of Script Development -- Chapter 31: Productive Interventions: collaborative script development for stories about mental health issues and suicide -- Chapter 32: Place, presence and play: A listening, co-active approach to story development -- Chapter 33: Crafting immersive experiences: a case study of the development of three short narrative cinematic virtual reality (CVR) projects -- Chapter 34: Script Development as Communicative Process: the case of Notorious -- Chapter 35: Between video games and television shows, towards meta script development practices? -- Chapter 36: Developing Texts for Animated Opera: a unique case study -- Chapter 37: From Comedy to Drama: the curious case study of Queenpin -- Chapter 38: 'You never know who is in control': German transmedia content development -- Chapter 39: Violet City: script development from novel to green screen fantasy feature -- Chapter 40: Checking The Black List Twice: the ambiguous industry role of script development services. Tipo de medio : Computadora Summary : "The Handbook of Script Development provides a creative and critical guide for those who study, teach and work on the development of stories for the screen. The larger, international perspective is highly valuable in today's media climate where screenwriters sell stories to streaming services with an eye on collecting viewers from all over the world. Such a cross-cultural product requires exposure to new ideas in how scripts are developed which is exactly the perspective I discovered in these pages." --- Dr Rosanne Welch, Executive Director, Stephens College MFA in TV and Screenwriting The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers' room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles – including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production. Stayci Taylor is a Lecturer in Media at RMIT University, Australia. She is an award-winning screenwriter and researcher, published widely on screenwriting, web series and creative writing. Craig Batty is Dean of Research (Creative) at the University of South Australia. He is an award-winning educator and researcher in the field of screenwriting, and is also a writer, script editor and script consultant. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]

---

1 (1 - 2 / 2) Ver por página : 25 50 100 200