| Título : |
Shifting Corporealities in Contemporary Performance : Danger, Im/mobility and Politics |
| Tipo de documento: |
documento electrónico |
| Autores: |
Gržinić, Marina, ; Stojnić, Aneta, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2018 |
| Número de páginas: |
XVIII, 334 p. 7 ilustraciones en color. |
| ISBN/ISSN/DL: |
978-3-319-78343-7 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
Las artes escénicas Teatro y performance contemporáneos Teatro y Performance Global e Internacional Teatro y artes escénicas |
| Clasificación: |
792.9 |
| Resumen: |
Este libro investiga cómo las prácticas artísticas contemporáneas interactúan con el cuerpo y su intersección con cuestiones políticas, tecnológicas y éticas. Partiendo de la relación entre la corporalidad y las artes escénicas (como el teatro, la danza y la performance), se recurre a una comprensión pluriversal de la encarnación que reside en las condiciones extremadamente violentas del necrocapitalismo global contemporáneo para realizar un análisis exhaustivo que vaya más allá del arte y la cultura. Reúne textos académicos teóricos de académicos establecidos y emergentes, exponiendo perspectivas de diferentes campos (filosofía, estudios culturales, estudios de performance, estudios de teatro y estudios de danza), así como de diferentes contextos geopolíticos. A través de una serie de grupos temáticos, el estudio explora la reactivación del cuerpo como lugar de una nueva política de creación de significado. |
| Nota de contenido: |
1. Marina Gržinić, Aneta Stojnić; Reclaiming the Body: Fem Positions Repoliticized -- 2. Frank B. Wilderson, III; "We're Trying to Destroy the World": Anti-Blackness & Police Violence After Ferguson -- 3. Ramsay Burt; Revolutionary Performances: Reading Adham Hafez's blog -- 4. Adham Hafez; amchoreo blog 2011: Just to remember, some weeks ago -- 5. Johannes Birringer; Standing Still Dancing in a Circle: Performance Dissent and Failed Gestures in Public Protest -- 6. Jasmina Tumbas; Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Art -- 7. Ana Vujanović; Performing Ideology: Communitas and Immunitas -- 8. Goran Petrović Lotina; Reconstructing the Bodies: Between the Politics of Order and the Politics of Disorder -- 9. Kristof van Baarle; The Mascot as Neoliberal Body: Kris Verdonck's UNTITLED -- 10. Brahma Prakash; "Dangerous" Choreopoliticsof Labouring Bodies: Biopolitics and Choreopolitics in Conflict in the act of Jana Natya Mandali in India -- 11. Bojana Matejić; The Appearance of Truth in Art: Body, Subjectivation and the Generic Life -- 12. Stephen Wilmer; Invisible Mothers: Biopolitical Control in Ireland -- 13. Lewis R. Gordon; Disciplining as a Human Science -- 14. Joachim Ben Yakoub; Performing Self-sacrifice, Despite Everything or Despite Oneself? Embodying a Necro-political Space of Appearance in the Tunisian Revolution -- 15. Stacey Prickett; Post Millennial Choreographic Challenges: Survival, Celebration and Critique -- 16. Konstantina Georgelou; Form-of-Life as Radical Togetherness: "New Materialist" Expansions of Choreography -- 17. Katherine Behar; Modeling Big Data -- 18. Bojan Đorđev; Not Red, but Blood! -- 19. Adela Jušić and Lana Čmajčanin; I Will Never Talk About War Again -- 20. Jelena Jureša; Notes on PMS -- 21. Tanja Ury; Artistic Freedom. |
| Tipo de medio : |
Computadora |
| Summary : |
This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance, and performance), it turns to a pluriversal understanding of embodiment that resides in the extra violent conditions of contemporary global necro-capitalism in order to conduct a thorough analysis that goes beyond arts and culture. It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts. Through a series of thematic clusters, the study explores the reactivation of the body as a site of a new meaning-making politics. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
Shifting Corporealities in Contemporary Performance : Danger, Im/mobility and Politics [documento electrónico] / Gržinić, Marina, ; Stojnić, Aneta, . - 1 ed. . - [s.l.] : Springer, 2018 . - XVIII, 334 p. 7 ilustraciones en color. ISBN : 978-3-319-78343-7 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
Las artes escénicas Teatro y performance contemporáneos Teatro y Performance Global e Internacional Teatro y artes escénicas |
| Clasificación: |
792.9 |
| Resumen: |
Este libro investiga cómo las prácticas artísticas contemporáneas interactúan con el cuerpo y su intersección con cuestiones políticas, tecnológicas y éticas. Partiendo de la relación entre la corporalidad y las artes escénicas (como el teatro, la danza y la performance), se recurre a una comprensión pluriversal de la encarnación que reside en las condiciones extremadamente violentas del necrocapitalismo global contemporáneo para realizar un análisis exhaustivo que vaya más allá del arte y la cultura. Reúne textos académicos teóricos de académicos establecidos y emergentes, exponiendo perspectivas de diferentes campos (filosofía, estudios culturales, estudios de performance, estudios de teatro y estudios de danza), así como de diferentes contextos geopolíticos. A través de una serie de grupos temáticos, el estudio explora la reactivación del cuerpo como lugar de una nueva política de creación de significado. |
| Nota de contenido: |
1. Marina Gržinić, Aneta Stojnić; Reclaiming the Body: Fem Positions Repoliticized -- 2. Frank B. Wilderson, III; "We're Trying to Destroy the World": Anti-Blackness & Police Violence After Ferguson -- 3. Ramsay Burt; Revolutionary Performances: Reading Adham Hafez's blog -- 4. Adham Hafez; amchoreo blog 2011: Just to remember, some weeks ago -- 5. Johannes Birringer; Standing Still Dancing in a Circle: Performance Dissent and Failed Gestures in Public Protest -- 6. Jasmina Tumbas; Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Art -- 7. Ana Vujanović; Performing Ideology: Communitas and Immunitas -- 8. Goran Petrović Lotina; Reconstructing the Bodies: Between the Politics of Order and the Politics of Disorder -- 9. Kristof van Baarle; The Mascot as Neoliberal Body: Kris Verdonck's UNTITLED -- 10. Brahma Prakash; "Dangerous" Choreopoliticsof Labouring Bodies: Biopolitics and Choreopolitics in Conflict in the act of Jana Natya Mandali in India -- 11. Bojana Matejić; The Appearance of Truth in Art: Body, Subjectivation and the Generic Life -- 12. Stephen Wilmer; Invisible Mothers: Biopolitical Control in Ireland -- 13. Lewis R. Gordon; Disciplining as a Human Science -- 14. Joachim Ben Yakoub; Performing Self-sacrifice, Despite Everything or Despite Oneself? Embodying a Necro-political Space of Appearance in the Tunisian Revolution -- 15. Stacey Prickett; Post Millennial Choreographic Challenges: Survival, Celebration and Critique -- 16. Konstantina Georgelou; Form-of-Life as Radical Togetherness: "New Materialist" Expansions of Choreography -- 17. Katherine Behar; Modeling Big Data -- 18. Bojan Đorđev; Not Red, but Blood! -- 19. Adela Jušić and Lana Čmajčanin; I Will Never Talk About War Again -- 20. Jelena Jureša; Notes on PMS -- 21. Tanja Ury; Artistic Freedom. |
| Tipo de medio : |
Computadora |
| Summary : |
This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance, and performance), it turns to a pluriversal understanding of embodiment that resides in the extra violent conditions of contemporary global necro-capitalism in order to conduct a thorough analysis that goes beyond arts and culture. It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts. Through a series of thematic clusters, the study explores the reactivation of the body as a site of a new meaning-making politics. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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Crear una solicitud de compra Refinar búsquedaRegimes of Invisibility in Contemporary Art, Theory and Culture / Gržinić, Marina ; Stojnić, Aneta ; Šuvaković, Miško
