| TÃtulo : |
Of Essence and Context : Between Music and Philosophy |
| Tipo de documento: |
documento electrónico |
| Autores: |
Stanevi￾i«t—, R«ta, ; Zangwill, Nick, ; Povilionien—, Rima, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2019 |
| Número de páginas: |
XV, 409 p. 30 ilustraciones, 10 ilustraciones en color. |
| ISBN/ISSN/DL: |
978-3-030-14471-5 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
Música FilosofÃa Las artes escénicas Teatro Arte Teatro y artes escénicas Creatividad y Educación ArtÃstica |
| Clasificación: |
780 |
| Resumen: |
Este libro ofrece un nuevo enfoque a las intersecciones entre la música y la filosofÃa. Incluye artÃculos que replantean los conceptos de obra musical y de interpretación desde perspectivas ontológicas y epistemológicas y analizan cuestiones de prácticas interpretativas que involucran las percepciones del intérprete y del oyente. En filosofÃa, la noción de esencia ha experimentado un renacimiento. Sin embargo, en las humanidades en general, todavÃa se la ve con sospecha. Esta colección examina las ideas de esencia y contexto en su aplicación a la música. Una preocupación común cuando se piensa en la música en términos de esencia es la pluralidad de la música. También existe la preocupación de que pensar en términos de esencia podrÃa ser una forma demasiado conservadora de imponer fijeza a algo que evoluciona. Algunos sostienen que debemos tener en cuenta los diversos contextos históricos y culturales de la música y que, por lo tanto, la idea de una esencia de la música es una fantasÃa. Este libro propone un enfoque innovador que aborda eficazmente estas preocupaciones. Demuestra que, de hecho, es posible encontrar puntos en común entre los muchos tipos de música. El trabajo combina enfoques filosóficos y musicológicos con bioética, biologÃa, lingüÃstica, teorÃa de la comunicación, fenomenologÃa y ciencia cognitiva. Los capÃtulos respectivos, escritos por destacados musicólogos y filósofos, reconsideran los enfoques esencialistas y contextualistas fundamentales de la creación y la experiencia musical a la luz de los cambios de paradigma del siglo XXI en la filosofÃa de la música. |
| Nota de contenido: |
Essence or Context? -- Musics, Essence and Context -- Essence Facilitating Plurality: Theorizing Art with Schelling -- Aristotle Meets Schumann: Essence and Geist -- Musical Images in the Tanakh: Between their Essence, Context and Interpretation -- Xi Kang's Reflection on the Essence of Music: "Hesheng" -- Deleuze, Ruyer, and Musical Morphogenesis -- he Biological Constraints on Musical Structure as the Foundations of Musical Essence -- 'In-between' the Autonomous and Contingent Worlds of Music -- Formulating the Essence All Together -- Mathesis as the Source of Beauty in Music -- Some Remarks on Verbal Models in Music -- On the Role of Intonation in Music and Communication Practices -- In Defense of "Authentic" Performance: Adjust Your Ears, Not the Music -- Where is the Essence of a Musical Work? -- Performance as Understanding in Action: Re-thinking the Concept of Musical Experience -- What Is a Musical Act? Understanding Improvisation Through Artefact and Performance -- The Experience of Music as a Process of [Self]Development -- Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Reni©'s Reflections -- Redefining Essence: Tuning and Temperament of Chinese Traditional Music -- The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences -- Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono -- The Distance of Presque-rien Between the Musicology and the Philosophy of Music -- Mikhail Gnessin on the Essence of Music and Russian Music -- Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s -- Essence, Context and Meaning in Versions of Wagner's Wesendonck Lieder by Wagner, Mottland Henze -- Leitfigur Beethoven: Thoughtson the Development of German Musicology in Light of the 1968 Movement. |
| Tipo de medio : |
Computadora |
| Summary : |
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer's and listener's perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
Of Essence and Context : Between Music and Philosophy [documento electrónico] / Stanevi￾i«t—, R«ta, ; Zangwill, Nick, ; Povilionien—, Rima, . - 1 ed. . - [s.l.] : Springer, 2019 . - XV, 409 p. 30 ilustraciones, 10 ilustraciones en color. ISBN : 978-3-030-14471-5 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
Música FilosofÃa Las artes escénicas Teatro Arte Teatro y artes escénicas Creatividad y Educación ArtÃstica |
| Clasificación: |
780 |
| Resumen: |
Este libro ofrece un nuevo enfoque a las intersecciones entre la música y la filosofÃa. Incluye artÃculos que replantean los conceptos de obra musical y de interpretación desde perspectivas ontológicas y epistemológicas y analizan cuestiones de prácticas interpretativas que involucran las percepciones del intérprete y del oyente. En filosofÃa, la noción de esencia ha experimentado un renacimiento. Sin embargo, en las humanidades en general, todavÃa se la ve con sospecha. Esta colección examina las ideas de esencia y contexto en su aplicación a la música. Una preocupación común cuando se piensa en la música en términos de esencia es la pluralidad de la música. También existe la preocupación de que pensar en términos de esencia podrÃa ser una forma demasiado conservadora de imponer fijeza a algo que evoluciona. Algunos sostienen que debemos tener en cuenta los diversos contextos históricos y culturales de la música y que, por lo tanto, la idea de una esencia de la música es una fantasÃa. Este libro propone un enfoque innovador que aborda eficazmente estas preocupaciones. Demuestra que, de hecho, es posible encontrar puntos en común entre los muchos tipos de música. El trabajo combina enfoques filosóficos y musicológicos con bioética, biologÃa, lingüÃstica, teorÃa de la comunicación, fenomenologÃa y ciencia cognitiva. Los capÃtulos respectivos, escritos por destacados musicólogos y filósofos, reconsideran los enfoques esencialistas y contextualistas fundamentales de la creación y la experiencia musical a la luz de los cambios de paradigma del siglo XXI en la filosofÃa de la música. |
| Nota de contenido: |
Essence or Context? -- Musics, Essence and Context -- Essence Facilitating Plurality: Theorizing Art with Schelling -- Aristotle Meets Schumann: Essence and Geist -- Musical Images in the Tanakh: Between their Essence, Context and Interpretation -- Xi Kang's Reflection on the Essence of Music: "Hesheng" -- Deleuze, Ruyer, and Musical Morphogenesis -- he Biological Constraints on Musical Structure as the Foundations of Musical Essence -- 'In-between' the Autonomous and Contingent Worlds of Music -- Formulating the Essence All Together -- Mathesis as the Source of Beauty in Music -- Some Remarks on Verbal Models in Music -- On the Role of Intonation in Music and Communication Practices -- In Defense of "Authentic" Performance: Adjust Your Ears, Not the Music -- Where is the Essence of a Musical Work? -- Performance as Understanding in Action: Re-thinking the Concept of Musical Experience -- What Is a Musical Act? Understanding Improvisation Through Artefact and Performance -- The Experience of Music as a Process of [Self]Development -- Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Reni©'s Reflections -- Redefining Essence: Tuning and Temperament of Chinese Traditional Music -- The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences -- Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono -- The Distance of Presque-rien Between the Musicology and the Philosophy of Music -- Mikhail Gnessin on the Essence of Music and Russian Music -- Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s -- Essence, Context and Meaning in Versions of Wagner's Wesendonck Lieder by Wagner, Mottland Henze -- Leitfigur Beethoven: Thoughtson the Development of German Musicology in Light of the 1968 Movement. |
| Tipo de medio : |
Computadora |
| Summary : |
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer's and listener's perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy. |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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