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Autor AgustÃn-Aquino, Octavio A. |
Documentos disponibles escritos por este autor (3)
Crear una solicitud de compra Refinar búsqueda7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings / Montiel, Mariana ; Gomez-Martin, Francisco ; AgustÃn-Aquino, Octavio A.
TÃtulo : 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings Tipo de documento: documento electrónico Autores: Montiel, Mariana, ; Gomez-Martin, Francisco, ; AgustÃn-Aquino, Octavio A., Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2019 Número de páginas: XII, 399 p. 350 ilustraciones, 52 ilustraciones en color. ISBN/ISSN/DL: 978-3-030-21392-3 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: humanidades digitales Inteligencia artificial Algoritmos Música Clasificación: 25.060.013 Resumen: Este libro constituye las actas minuciosamente arbitradas de la 7ma Conferencia Internacional sobre Matemáticas y Computación en Música, MCM 2019, celebrada en Madrid, España, en junio de 2019. Los 22 artÃculos completos y 10 artÃculos breves presentados fueron cuidadosamente revisados ​​y seleccionados entre 48 presentaciones. Los artÃculos presentan investigaciones que combinan matemáticas o computación con teorÃa musical, análisis musical, composición e interpretación. Están organizados en secciones temáticas sobre enfoques algebraicos y otros enfoques matemáticos abstractos para comprender objetos musicales; regestión de Riemann: ¿la teorÃa musical matemática como "filosofÃa experimental"?; división de octava; enfoques informáticos para la composición y estructuración de partituras; modelos para cognición musical y seguimiento de ritmos; PedagogÃa de la teorÃa musical matemática. El capÃtulo "Vecinos distantes y contigüidades interescalares" está disponible en acceso abierto bajo una licencia internacional Creative Commons Attribution 4.0 a través de link.springer.com. Nota de contenido: Plenary talks -- Contrapuntal Aspects of the Mystic Chord and Scriabin's Piano Sonata No. 5 -- ComMute—Towards a Computational Musical Theory of Everything -- Algebraic and other Abstract Mathematical Approaches to Understanding Musical Objects -- Groupoids and Wreath Products of Musical Transformations: a Categorical Approach from poly-Klumpenhouwer Networks -- Fourier Phase and Pitch-Class Sum -- Categories, Musical Instruments, and Drawings: A Unification Dream -- Tropical Generalized Interval Systems -- Shall we (math and) dance? -- Special Session: Remanaging Riemann: Mathematical Music Theory as "Experimental Philology"? -- Decontextualizing Contextual Inversion -- From Schritte and Wechsel to Coxeter Groups -- Exploring the Syntonic Side of Major-Minor Tonality -- Embedded Structural Modes: Unifying Scale Degrees and Harmonic Functions -- Non-Contextual SQZ Transformations -- The Hierarchy of Rameau Groups -- Distance Diatonic Neighbors and Inter-Diatonic Shortcuts? -- Constraint-Based Systems of Triads and Seventh Chords, and Parsimonious Voice-Leading -- Octave Division -- Distributional Analysis of n-dimensional Feature Space for 7-note Scales in 22-TET -- Filtration of pitch-class sets complexes -- Computer-based Approaches to Composition and Score Structuring -- Synesthesizer: physical modelling and machine learning for a color-based synthesizer -- Mercury ®: A software based on fuzzy clustering for computer-assisted composition -- A Parse-based Framework for Coupled Rhythm Quantization and Score Structuring -- Reinterpreting and extending Anatol Vieru's Periodic Sequences through the Cellular Automata formalisms -- Models for Music Cognition and Beat Tracking -- Surprisal, liking, and musical affect -- Autocorrelation of Pitch-Event Vectors in Meter Finding -- The Envelopes of Consonant Intervals and Chords in Just Intonation and Equal Temperament -- Maximally Even Tilings -- Short Papers -- Distributed Vector Representations of Folksong Motifs -- Visualizing Temperaments: Squaring the Circle? -- Music corpus analysis using unwords -- Maths, Computation and Flamenco: overview and challenges -- Formalization of Voice-Leadings and the Nabla Algorithm -- Computational Music Therapy -- Special Session on the Pedagogy of Mathematical Music Theory -- Insiders' Choice: Studying Pitch Class Sets through their Discrete Fourier Transformations -- Have Fun with Math and Music! -- Teaching Music with Mathematics: a Pilot Study -- Integrated Music and Math Projects in Secondary Education. Tipo de medio : Computadora Summary : This book constitutes the thoroughly refereed proceedings of the 7th International Conference on Mathematics and Computation in Music, MCM 2019, held in Madrid, Spain, in June 2019. The 22 full papers and 10 short papers presented were carefully reviewed and selected from 48 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic and other abstract mathematical approaches to understanding musical objects; remanaging Riemann: mathematical music theory as "experimental philosophy"?; octave division; computer-based approaches to composition and score structuring; models for music cognition and beat tracking; pedagogy of mathematical music theory. The chapter "Distant Neighbors and Interscalar Contiguities" is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings [documento electrónico] / Montiel, Mariana, ; Gomez-Martin, Francisco, ; AgustÃn-Aquino, Octavio A., . - 1 ed. . - [s.l.] : Springer, 2019 . - XII, 399 p. 350 ilustraciones, 52 ilustraciones en color.
ISBN : 978-3-030-21392-3
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: humanidades digitales Inteligencia artificial Algoritmos Música Clasificación: 25.060.013 Resumen: Este libro constituye las actas minuciosamente arbitradas de la 7ma Conferencia Internacional sobre Matemáticas y Computación en Música, MCM 2019, celebrada en Madrid, España, en junio de 2019. Los 22 artÃculos completos y 10 artÃculos breves presentados fueron cuidadosamente revisados ​​y seleccionados entre 48 presentaciones. Los artÃculos presentan investigaciones que combinan matemáticas o computación con teorÃa musical, análisis musical, composición e interpretación. Están organizados en secciones temáticas sobre enfoques algebraicos y otros enfoques matemáticos abstractos para comprender objetos musicales; regestión de Riemann: ¿la teorÃa musical matemática como "filosofÃa experimental"?; división de octava; enfoques informáticos para la composición y estructuración de partituras; modelos para cognición musical y seguimiento de ritmos; PedagogÃa de la teorÃa musical matemática. El capÃtulo "Vecinos distantes y contigüidades interescalares" está disponible en acceso abierto bajo una licencia internacional Creative Commons Attribution 4.0 a través de link.springer.com. Nota de contenido: Plenary talks -- Contrapuntal Aspects of the Mystic Chord and Scriabin's Piano Sonata No. 5 -- ComMute—Towards a Computational Musical Theory of Everything -- Algebraic and other Abstract Mathematical Approaches to Understanding Musical Objects -- Groupoids and Wreath Products of Musical Transformations: a Categorical Approach from poly-Klumpenhouwer Networks -- Fourier Phase and Pitch-Class Sum -- Categories, Musical Instruments, and Drawings: A Unification Dream -- Tropical Generalized Interval Systems -- Shall we (math and) dance? -- Special Session: Remanaging Riemann: Mathematical Music Theory as "Experimental Philology"? -- Decontextualizing Contextual Inversion -- From Schritte and Wechsel to Coxeter Groups -- Exploring the Syntonic Side of Major-Minor Tonality -- Embedded Structural Modes: Unifying Scale Degrees and Harmonic Functions -- Non-Contextual SQZ Transformations -- The Hierarchy of Rameau Groups -- Distance Diatonic Neighbors and Inter-Diatonic Shortcuts? -- Constraint-Based Systems of Triads and Seventh Chords, and Parsimonious Voice-Leading -- Octave Division -- Distributional Analysis of n-dimensional Feature Space for 7-note Scales in 22-TET -- Filtration of pitch-class sets complexes -- Computer-based Approaches to Composition and Score Structuring -- Synesthesizer: physical modelling and machine learning for a color-based synthesizer -- Mercury ®: A software based on fuzzy clustering for computer-assisted composition -- A Parse-based Framework for Coupled Rhythm Quantization and Score Structuring -- Reinterpreting and extending Anatol Vieru's Periodic Sequences through the Cellular Automata formalisms -- Models for Music Cognition and Beat Tracking -- Surprisal, liking, and musical affect -- Autocorrelation of Pitch-Event Vectors in Meter Finding -- The Envelopes of Consonant Intervals and Chords in Just Intonation and Equal Temperament -- Maximally Even Tilings -- Short Papers -- Distributed Vector Representations of Folksong Motifs -- Visualizing Temperaments: Squaring the Circle? -- Music corpus analysis using unwords -- Maths, Computation and Flamenco: overview and challenges -- Formalization of Voice-Leadings and the Nabla Algorithm -- Computational Music Therapy -- Special Session on the Pedagogy of Mathematical Music Theory -- Insiders' Choice: Studying Pitch Class Sets through their Discrete Fourier Transformations -- Have Fun with Math and Music! -- Teaching Music with Mathematics: a Pilot Study -- Integrated Music and Math Projects in Secondary Education. Tipo de medio : Computadora Summary : This book constitutes the thoroughly refereed proceedings of the 7th International Conference on Mathematics and Computation in Music, MCM 2019, held in Madrid, Spain, in June 2019. The 22 full papers and 10 short papers presented were carefully reviewed and selected from 48 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic and other abstract mathematical approaches to understanding musical objects; remanaging Riemann: mathematical music theory as "experimental philosophy"?; octave division; computer-based approaches to composition and score structuring; models for music cognition and beat tracking; pedagogy of mathematical music theory. The chapter "Distant Neighbors and Interscalar Contiguities" is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
TÃtulo : Mathematics and Computation in Music : 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017, Proceedings Tipo de documento: documento electrónico Autores: AgustÃn-Aquino, Octavio A., ; Lluis-Puebla, Emilio, ; Montiel, Mariana, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2017 Número de páginas: XI, 373 p. 147 ilustraciones ISBN/ISSN/DL: 978-3-319-71827-9 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: humanidades digitales Inteligencia artificial Algoritmos Informática Matemáticas discretas Música Matemáticas discretas en informática Clasificación: 25.060.013 Resumen: Este libro constituye las actas minuciosamente arbitradas de la 6ta Conferencia Internacional sobre Matemáticas y Computación en Música, MCM 2017, celebrada en la Ciudad de México, México, en junio de 2017. Los 26 artÃculos completos y 2 artÃculos breves presentados fueron cuidadosamente revisados ​​y seleccionados entre 40 presentaciones. . Los artÃculos presentan investigaciones que combinan matemáticas o computación con teorÃa musical, análisis musical, composición e interpretación. Están organizados en secciones temáticas sobre modelos algebraicos, interpretación asistida por computadora, análisis de Fourier, teorÃa de gestos, teorÃa de grafos y combinatoria, aprendizaje automático y probabilidad y estadÃstica en análisis y composición musical. Nota de contenido: Primal-Circular Substitutions -- On the Group of Transformations of Classical Types of Seventh Chords -- Pairwise Well-Formed Modes and Transformations -- Homometry in the Dihedral Groups: Lifting Sets from Zn to Dn -- A Symmetric Quantum Theory of Modulation in Z20 -- Almost Difference Sets in Transformational Music Theory -- Algebra of Harmony -- Developing Software for Dancing Tango in Compás -- Using Inharmonic Strings in Musical Instruments -- Real-Time Compositional Procedures for Mediated Soloist-Ensemble Interaction: The Comprovisador -- Strange Symmetries -- Interval Content vs. DFT -- Probing Questions about Keys: Tonal Distributions through the DFT -- Abstract Gestures: A Unifying Concept in Mathematical Music Theory -- Mathematical Music Theory and the Musical Math Game – Two Creative Ontological Switches -- Hamiltonian Graphs as Harmonic Tools -- New Investigations in Rhythmic Oddity -- Polytopic Graph of Latent Relations: A Multiscale Structure Model for Music Segments -- Dynamic Time Warping for Automatic Musical Form Identification in Symbolical Musical Files -- Identification and Evolution of Musical Style I: Hierarchical Transition Networks and their Modular Structure -- A Fuzzy-Clustering Based Approach for Measuring Similarity Between Melodies -- The Evolution of Tango Harmony, 1910-1960 -- Determination of Compositional Systems through Systemic Modelling -- A Cluster Analysis for Mode Identification in Early Music Genres -- Cross Entropy as a Measure of Coherence and Uniqueness -- Complementary Collection and Ligeti's Combinatorial Tonality -- Probabilistic Generation of Ragtime Music from Classical Melodies -- Using Probabilistic Parsers to Support Composition of Salsa Music. Tipo de medio : Computadora Summary : This book constitutes the thoroughly refereed proceedings of the 6th International Conference on Mathematics and Computation in Music, MCM 2017, held in Mexico City, Mexico, in June 2017. The 26 full papers and 2 short papers presented were carefully reviewed and selected from 40 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic models, computer assisted performance, Fourier analysis, Gesture Theory, Graph Theory and Combinatorics, Machine Learning, and Probability and Statistics in Musical Analysis and Composition. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] Mathematics and Computation in Music : 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017, Proceedings [documento electrónico] / AgustÃn-Aquino, Octavio A., ; Lluis-Puebla, Emilio, ; Montiel, Mariana, . - 1 ed. . - [s.l.] : Springer, 2017 . - XI, 373 p. 147 ilustraciones.
ISBN : 978-3-319-71827-9
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: humanidades digitales Inteligencia artificial Algoritmos Informática Matemáticas discretas Música Matemáticas discretas en informática Clasificación: 25.060.013 Resumen: Este libro constituye las actas minuciosamente arbitradas de la 6ta Conferencia Internacional sobre Matemáticas y Computación en Música, MCM 2017, celebrada en la Ciudad de México, México, en junio de 2017. Los 26 artÃculos completos y 2 artÃculos breves presentados fueron cuidadosamente revisados ​​y seleccionados entre 40 presentaciones. . Los artÃculos presentan investigaciones que combinan matemáticas o computación con teorÃa musical, análisis musical, composición e interpretación. Están organizados en secciones temáticas sobre modelos algebraicos, interpretación asistida por computadora, análisis de Fourier, teorÃa de gestos, teorÃa de grafos y combinatoria, aprendizaje automático y probabilidad y estadÃstica en análisis y composición musical. Nota de contenido: Primal-Circular Substitutions -- On the Group of Transformations of Classical Types of Seventh Chords -- Pairwise Well-Formed Modes and Transformations -- Homometry in the Dihedral Groups: Lifting Sets from Zn to Dn -- A Symmetric Quantum Theory of Modulation in Z20 -- Almost Difference Sets in Transformational Music Theory -- Algebra of Harmony -- Developing Software for Dancing Tango in Compás -- Using Inharmonic Strings in Musical Instruments -- Real-Time Compositional Procedures for Mediated Soloist-Ensemble Interaction: The Comprovisador -- Strange Symmetries -- Interval Content vs. DFT -- Probing Questions about Keys: Tonal Distributions through the DFT -- Abstract Gestures: A Unifying Concept in Mathematical Music Theory -- Mathematical Music Theory and the Musical Math Game – Two Creative Ontological Switches -- Hamiltonian Graphs as Harmonic Tools -- New Investigations in Rhythmic Oddity -- Polytopic Graph of Latent Relations: A Multiscale Structure Model for Music Segments -- Dynamic Time Warping for Automatic Musical Form Identification in Symbolical Musical Files -- Identification and Evolution of Musical Style I: Hierarchical Transition Networks and their Modular Structure -- A Fuzzy-Clustering Based Approach for Measuring Similarity Between Melodies -- The Evolution of Tango Harmony, 1910-1960 -- Determination of Compositional Systems through Systemic Modelling -- A Cluster Analysis for Mode Identification in Early Music Genres -- Cross Entropy as a Measure of Coherence and Uniqueness -- Complementary Collection and Ligeti's Combinatorial Tonality -- Probabilistic Generation of Ragtime Music from Classical Melodies -- Using Probabilistic Parsers to Support Composition of Salsa Music. Tipo de medio : Computadora Summary : This book constitutes the thoroughly refereed proceedings of the 6th International Conference on Mathematics and Computation in Music, MCM 2017, held in Mexico City, Mexico, in June 2017. The 26 full papers and 2 short papers presented were carefully reviewed and selected from 40 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic models, computer assisted performance, Fourier analysis, Gesture Theory, Graph Theory and Combinatorics, Machine Learning, and Probability and Statistics in Musical Analysis and Composition. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
TÃtulo : The Musical-Mathematical Mind : Patterns and Transformations Tipo de documento: documento electrónico Autores: Pareyon, Gabriel, ; Pina-Romero, Silvia, ; AgustÃn-Aquino, Octavio A., ; Lluis-Puebla, Emilio, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2017 Número de páginas: XXIX, 345 p. 144 ilustraciones, 43 ilustraciones en color. ISBN/ISSN/DL: 978-3-319-47337-6 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: humanidades digitales Música Informática Matemáticas en la música Matemáticas de la Computación Clasificación: 25.060.013 Resumen: Este libro presenta un profundo espectro de perspectivas musicales, matemáticas, fÃsicas y filosóficas que han surgido en este campo en la intersección de la música y las matemáticas. En particular, los capÃtulos aportados introducen técnicas y conceptos avanzados de las matemáticas y la fÃsica modernas, derivados de éxitos en dominios como la teorÃa de Topos y la teorÃa fÃsica de cuerdas. Entre los autores se incluyen muchos de los principales investigadores en este campo, y el libro será valioso para los investigadores que trabajan en música computacional, particularmente en las áreas del contrapunto, el gesto y la teorÃa del Topos. Nota de contenido: Introduction -- Extended Counterpoint Symmetries and Continuous Counterpoint -- A Survey of Applications of the Discrete Fourier Transform in Music Theory -- Gestures on Locales and Localic Topoi -- A Proposal for a Music Writing for the Visually Impaired -- Group Theory for Pitch Sequence Representation -- The Mechanics of Tipping Points -- Lexicographic Orderings of Modes and Morphisms -- Music of Quantum Circles -- Algebraic Combinatorics on Modes -- Proportion, Perception, Speculation -- Models and Algorithms for Music Generated by Physiological Processes -- Music, Expectation, and Information Theory -- Gestural Dynamics in Modulation: (Towards) A Musical String Theory -- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization -- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation -- Wooden Idiophones: Classification Through Phase Synchronization Analysis -- A Fuzzy Rule Model for High-Level Musical Featureson Automated Composition Systems -- The Musical Experience Between Measurement and Computation -- Generic Additive Synthesis -- Dynamical Virtual Sounding Networks -- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem -- Diagrams, Games and Time (Towards the Analysis of Open Form Scores) -- On Minimal Change Musical Morphologies. Tipo de medio : Computadora Summary : This book presents a deep spectrum of musical, mathematical, physical, and philosophical perspectives that have emerged in this field at the intersection of music and mathematics. In particular the contributed chapters introduce advanced techniques and concepts from modern mathematics and physics, deriving from successes in domains such as Topos theory and physical string theory. The authors include many of the leading researchers in this domain, and the book will be of value to researchers working in computational music, particularly in the areas of counterpoint, gesture, and Topos theory. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] The Musical-Mathematical Mind : Patterns and Transformations [documento electrónico] / Pareyon, Gabriel, ; Pina-Romero, Silvia, ; AgustÃn-Aquino, Octavio A., ; Lluis-Puebla, Emilio, . - 1 ed. . - [s.l.] : Springer, 2017 . - XXIX, 345 p. 144 ilustraciones, 43 ilustraciones en color.
ISBN : 978-3-319-47337-6
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: humanidades digitales Música Informática Matemáticas en la música Matemáticas de la Computación Clasificación: 25.060.013 Resumen: Este libro presenta un profundo espectro de perspectivas musicales, matemáticas, fÃsicas y filosóficas que han surgido en este campo en la intersección de la música y las matemáticas. En particular, los capÃtulos aportados introducen técnicas y conceptos avanzados de las matemáticas y la fÃsica modernas, derivados de éxitos en dominios como la teorÃa de Topos y la teorÃa fÃsica de cuerdas. Entre los autores se incluyen muchos de los principales investigadores en este campo, y el libro será valioso para los investigadores que trabajan en música computacional, particularmente en las áreas del contrapunto, el gesto y la teorÃa del Topos. Nota de contenido: Introduction -- Extended Counterpoint Symmetries and Continuous Counterpoint -- A Survey of Applications of the Discrete Fourier Transform in Music Theory -- Gestures on Locales and Localic Topoi -- A Proposal for a Music Writing for the Visually Impaired -- Group Theory for Pitch Sequence Representation -- The Mechanics of Tipping Points -- Lexicographic Orderings of Modes and Morphisms -- Music of Quantum Circles -- Algebraic Combinatorics on Modes -- Proportion, Perception, Speculation -- Models and Algorithms for Music Generated by Physiological Processes -- Music, Expectation, and Information Theory -- Gestural Dynamics in Modulation: (Towards) A Musical String Theory -- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization -- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation -- Wooden Idiophones: Classification Through Phase Synchronization Analysis -- A Fuzzy Rule Model for High-Level Musical Featureson Automated Composition Systems -- The Musical Experience Between Measurement and Computation -- Generic Additive Synthesis -- Dynamical Virtual Sounding Networks -- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem -- Diagrams, Games and Time (Towards the Analysis of Open Form Scores) -- On Minimal Change Musical Morphologies. Tipo de medio : Computadora Summary : This book presents a deep spectrum of musical, mathematical, physical, and philosophical perspectives that have emerged in this field at the intersection of music and mathematics. In particular the contributed chapters introduce advanced techniques and concepts from modern mathematics and physics, deriving from successes in domains such as Topos theory and physical string theory. The authors include many of the leading researchers in this domain, and the book will be of value to researchers working in computational music, particularly in the areas of counterpoint, gesture, and Topos theory. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
