| TÃtulo : |
Italy through the Red Lens : Italian Politics and Society in Communist Propaganda Films (1946–79) / |
| Tipo de documento: |
documento electrónico |
| Autores: |
Fantoni, Gianluca, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2021 |
| Número de páginas: |
IX, 293 p. 20 ilustraciones |
| ISBN/ISSN/DL: |
978-3-030-69197-4 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
Historia Historia polÃtica Estudios cinematográficos Historia de Italia Italia Motion pictures World politics |
| Clasificación: |
945 |
| Resumen: |
Este libro ofrece el primer análisis exhaustivo del papel del cine en la estrategia de comunicación del Partido Comunista Italiano (PCI). Examina todo el perÃodo durante el cual el partido tuvo un enfoque sistemático y organizado de la producción cinematográfica, comenzando con los primeros experimentos en 1946 y concluyendo con el cierre de la compañÃa cinematográfica del PCI, Unitelefilm, a fines de la década de 1970. Su análisis arroja luz sobre una variedad de cuestiones, como la relación entre el partido y los intelectuales italianos, la impronta estalinista del Partido Comunista Italiano y la importancia histórica del giro de Salerno, la relación del PCI con los movimientos estudiantiles en 1968 y 1977, y la respuesta del PCI al aumento de la violencia polÃtica en la década de 1970. En última instancia, el libro demuestra que el cine fue esencial para el esfuerzo propagandÃstico del PCI. |
| Nota de contenido: |
1. Introduction -- Part I The Italian Communist Party between Socialist Realism and Neorealism (1944–1956) -- 2. Togliatti's Partito nuovo and Italian cinema -- 3. Socialist Realism Italian-Style: PCI Cinematic Propaganda in the Stalin Era -- Part II Dealing with The Modern (1956–1970) -- 4. Peace and Sputnik, the Boom, and Television (1956–1964) -- 5. The First Years of Unitelefilm and the PCI After Togliatti (1964–1967) -- 6. The Workers, the Students, and The Election Campaign of 1968 -- 7. The Lice and the Whale: Filmmakers, Militant Cinema and the Italian Communist Party -- Part III A Decade of Living Dangerously: The Turbulent Peak (and the Seeds of Decline) of the Italian Communist Party (1970–1979) -- 8. The Early 1970s: Unitelefilm, the Fascist Threat, and the 'Historic Compromise' -- 9. Hegemony Within Reach (1974–1976) -- 10. Women's Issues, Feminism, and the PCI -- 11. Hegemony Fades Away (1977–1979) -- 12. Conclusion. |
| Tipo de medio : |
Computadora |
| Summary : |
This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI's relationship with the student movements in 1968 and 1977, and the PCI's response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI's propaganda effort. . |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
Italy through the Red Lens : Italian Politics and Society in Communist Propaganda Films (1946–79) / [documento electrónico] / Fantoni, Gianluca, . - 1 ed. . - [s.l.] : Springer, 2021 . - IX, 293 p. 20 ilustraciones. ISBN : 978-3-030-69197-4 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
Historia Historia polÃtica Estudios cinematográficos Historia de Italia Italia Motion pictures World politics |
| Clasificación: |
945 |
| Resumen: |
Este libro ofrece el primer análisis exhaustivo del papel del cine en la estrategia de comunicación del Partido Comunista Italiano (PCI). Examina todo el perÃodo durante el cual el partido tuvo un enfoque sistemático y organizado de la producción cinematográfica, comenzando con los primeros experimentos en 1946 y concluyendo con el cierre de la compañÃa cinematográfica del PCI, Unitelefilm, a fines de la década de 1970. Su análisis arroja luz sobre una variedad de cuestiones, como la relación entre el partido y los intelectuales italianos, la impronta estalinista del Partido Comunista Italiano y la importancia histórica del giro de Salerno, la relación del PCI con los movimientos estudiantiles en 1968 y 1977, y la respuesta del PCI al aumento de la violencia polÃtica en la década de 1970. En última instancia, el libro demuestra que el cine fue esencial para el esfuerzo propagandÃstico del PCI. |
| Nota de contenido: |
1. Introduction -- Part I The Italian Communist Party between Socialist Realism and Neorealism (1944–1956) -- 2. Togliatti's Partito nuovo and Italian cinema -- 3. Socialist Realism Italian-Style: PCI Cinematic Propaganda in the Stalin Era -- Part II Dealing with The Modern (1956–1970) -- 4. Peace and Sputnik, the Boom, and Television (1956–1964) -- 5. The First Years of Unitelefilm and the PCI After Togliatti (1964–1967) -- 6. The Workers, the Students, and The Election Campaign of 1968 -- 7. The Lice and the Whale: Filmmakers, Militant Cinema and the Italian Communist Party -- Part III A Decade of Living Dangerously: The Turbulent Peak (and the Seeds of Decline) of the Italian Communist Party (1970–1979) -- 8. The Early 1970s: Unitelefilm, the Fascist Threat, and the 'Historic Compromise' -- 9. Hegemony Within Reach (1974–1976) -- 10. Women's Issues, Feminism, and the PCI -- 11. Hegemony Fades Away (1977–1979) -- 12. Conclusion. |
| Tipo de medio : |
Computadora |
| Summary : |
This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI's relationship with the student movements in 1968 and 1977, and the PCI's response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI's propaganda effort. . |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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