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TÃtulo : Justice in the Plays and Films of Martin McDonagh Tipo de documento: documento electrónico Autores: Jordan, Eamonn, Mención de edición: 1 ed. Editorial: [s.l.] : Springer Fecha de publicación: 2019 Número de páginas: IX, 145 p. 1 ilustraciones ISBN/ISSN/DL: 978-3-030-30453-9 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Literatura europea Géneros cinematográficos Dirigente Clasificación: 7.920.233 Resumen: La exploración exhaustiva que hace Eamonn Jordan de cómo ciertas formas de justicia y su aplicación institucional figuran en las numerosas obras de Martin McDonagh ofrece una guÃa crÃtica inestimable para una obra que aborda en profundidad, y a menudo de manera enigmática, cuestiones jurÃdicas y filosóficas". - R. Barton Palmer, profesor de Literatura en la Universidad de Clemson y autor o editor de libros notables, entre ellos After Hitchcock: Influence, Imitation, and Intertextuality (2006). Este libro interroga las diversas manifestaciones de sistemas rivales de justicia en las obras de teatro y pelÃculas de Martin McDonagh, en un análisis informado por los escritos crÃticos de Michael J. Sandel, Steven Pinker, Julia Kristeva y, en particular, Amartya Sen sobre la violencia, la justicia, la igualdad y la ley. En las obras de McDonagh, los fracasos en la investigación adecuada de las acciones criminales se ven acompañados de múltiples confesiones forzadas y un sinfÃn de errores judiciales. El autor explora los mundos creativos de McDonagh como aquellos en los que las distinciones entre vÃctima y perpetrador y entre culpa e inocencia son precarias, en los que la carga de la verdad rara vez alcanza el umbral de más allá de toda duda razonable y en los que los castigos y las recompensas de la justicia se aplican de manera aleatoria. Este proyecto considera la naturaleza abyecta de la justicia en la escritura de McDonagh, con las vastas implicaciones de que la justicia es frágil, sospechosa, fragmentada, desviada, aleatoria y fortuita. Las formas tentativas de justicia se ven atenuadas y luego amenazadas por un humor provocador, anárquico y abyecto. Como sostiene el autor, la escritura de McDonagh hace circular hábilmente sistemas de justicia rivales, incompatibles y comparativos para fundamentar las necesidades y virtudes de la justicia. Nota de contenido: Introduction: Beware of Justice -- 1. CSI Connemara and State Incompetence: The Beauty Queen of Leenane, A Skull in Connemara (1997) and The Lonesome West -- 2. Unreasonable Doubt: Hangmen -- 3. To the Letter of the Law:The Pillowman -- 4. To the Victim the Spoils of Justice: Six Shooter, A Behanding in Spokane and The Lieutenant of Inishmore -- 5. Revengers' Charter: In Bruges, Three Billboards Outside Ebbing, Missouri and Seven Psychopaths -- 6. Conclusion: Abject Justice/Abject Laughter. Tipo de medio : Computadora Summary : "Eamonn Jordan's comprehensive exploration of how certain forms of justice, and its institutional enactment, figure in the many works of Martin McDonagh offers an invaluable critical guide to an oeuvre that engages deeply, and often enigmatically, with legal and philosophical questions." - R. Barton Palmer, Professor of Literature at Clemson University and author or editor of notable books including After Hitchcock: Influence, Imitation, and Intertextuality (2006). This book interrogates the various manifestations of rival systems of justice in the plays and films of Martin McDonagh, in analysis informed by the critical writings of Michael J. Sandel, Steven Pinker, Julia Kristeva, and in particular Amartya Sen on violence, justice, equality and the law. In McDonagh's works, failures to investigate adequately criminal actions are matched by multiple forced confessionsand umpteen miscarriages of justice. The author explores McDonagh's creative worlds as ones where distinctions between victim and perpetrator and guilt and innocence are precarious, where the burden of truth seldom reaches the threshold of beyond reasonable doubt and where the punishments and rewards of justice are applied randomly. This project considers the abject nature of justice in McDonagh's writing, with the vast implications of justice being fragile, suspect, piecemeal, deviant, haphazard and random. Tentative forms of justice are tempered and then threatened by provocative, anarchic and abject humour. As the author argues, McDonagh's writing cleverly circulates rival, incompatible and comparative systems of justice in order to substantiate the necessities and virtues of justice. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] Justice in the Plays and Films of Martin McDonagh [documento electrónico] / Jordan, Eamonn, . - 1 ed. . - [s.l.] : Springer, 2019 . - IX, 145 p. 1 ilustraciones.
ISBN : 978-3-030-30453-9
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: Literatura europea Géneros cinematográficos Dirigente Clasificación: 7.920.233 Resumen: La exploración exhaustiva que hace Eamonn Jordan de cómo ciertas formas de justicia y su aplicación institucional figuran en las numerosas obras de Martin McDonagh ofrece una guÃa crÃtica inestimable para una obra que aborda en profundidad, y a menudo de manera enigmática, cuestiones jurÃdicas y filosóficas". - R. Barton Palmer, profesor de Literatura en la Universidad de Clemson y autor o editor de libros notables, entre ellos After Hitchcock: Influence, Imitation, and Intertextuality (2006). Este libro interroga las diversas manifestaciones de sistemas rivales de justicia en las obras de teatro y pelÃculas de Martin McDonagh, en un análisis informado por los escritos crÃticos de Michael J. Sandel, Steven Pinker, Julia Kristeva y, en particular, Amartya Sen sobre la violencia, la justicia, la igualdad y la ley. En las obras de McDonagh, los fracasos en la investigación adecuada de las acciones criminales se ven acompañados de múltiples confesiones forzadas y un sinfÃn de errores judiciales. El autor explora los mundos creativos de McDonagh como aquellos en los que las distinciones entre vÃctima y perpetrador y entre culpa e inocencia son precarias, en los que la carga de la verdad rara vez alcanza el umbral de más allá de toda duda razonable y en los que los castigos y las recompensas de la justicia se aplican de manera aleatoria. Este proyecto considera la naturaleza abyecta de la justicia en la escritura de McDonagh, con las vastas implicaciones de que la justicia es frágil, sospechosa, fragmentada, desviada, aleatoria y fortuita. Las formas tentativas de justicia se ven atenuadas y luego amenazadas por un humor provocador, anárquico y abyecto. Como sostiene el autor, la escritura de McDonagh hace circular hábilmente sistemas de justicia rivales, incompatibles y comparativos para fundamentar las necesidades y virtudes de la justicia. Nota de contenido: Introduction: Beware of Justice -- 1. CSI Connemara and State Incompetence: The Beauty Queen of Leenane, A Skull in Connemara (1997) and The Lonesome West -- 2. Unreasonable Doubt: Hangmen -- 3. To the Letter of the Law:The Pillowman -- 4. To the Victim the Spoils of Justice: Six Shooter, A Behanding in Spokane and The Lieutenant of Inishmore -- 5. Revengers' Charter: In Bruges, Three Billboards Outside Ebbing, Missouri and Seven Psychopaths -- 6. Conclusion: Abject Justice/Abject Laughter. Tipo de medio : Computadora Summary : "Eamonn Jordan's comprehensive exploration of how certain forms of justice, and its institutional enactment, figure in the many works of Martin McDonagh offers an invaluable critical guide to an oeuvre that engages deeply, and often enigmatically, with legal and philosophical questions." - R. Barton Palmer, Professor of Literature at Clemson University and author or editor of notable books including After Hitchcock: Influence, Imitation, and Intertextuality (2006). This book interrogates the various manifestations of rival systems of justice in the plays and films of Martin McDonagh, in analysis informed by the critical writings of Michael J. Sandel, Steven Pinker, Julia Kristeva, and in particular Amartya Sen on violence, justice, equality and the law. In McDonagh's works, failures to investigate adequately criminal actions are matched by multiple forced confessionsand umpteen miscarriages of justice. The author explores McDonagh's creative worlds as ones where distinctions between victim and perpetrator and guilt and innocence are precarious, where the burden of truth seldom reaches the threshold of beyond reasonable doubt and where the punishments and rewards of justice are applied randomly. This project considers the abject nature of justice in McDonagh's writing, with the vast implications of justice being fragile, suspect, piecemeal, deviant, haphazard and random. Tentative forms of justice are tempered and then threatened by provocative, anarchic and abject humour. As the author argues, McDonagh's writing cleverly circulates rival, incompatible and comparative systems of justice in order to substantiate the necessities and virtues of justice. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...]
TÃtulo : The Palgrave Handbook of Contemporary Irish Theatre and Performance Tipo de documento: documento electrónico Autores: Jordan, Eamonn, ; Weitz, Eric, Mención de edición: 1 ed. Editorial: London : Palgrave Macmillan UK Fecha de publicación: 2018 Número de páginas: XXXIII, 866 p. 21 ilustraciones ISBN/ISSN/DL: 978-1-137-58588-2 Nota general: Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés (eng) Palabras clave: Las artes escénicas Teatro Teatro y artes escénicas Clasificación: 790 Artes recreativas y de la actuación Resumen: Este manual ofrece una visión multiforme de vislumbres teóricas, históricas, prácticas y personales de un paisaje caracterizado a grandes rasgos como teatro y performance irlandeses contemporáneos. Al reunir un espectro de voces y sensibilidades en cada una de sus cuatro secciones (Historias, Primeros planos, Interfaces y Reflexiones), echa una mirada a los últimos sesenta años aproximadamente para recordar, analizar y evaluar el legado reciente del teatro. y rendimiento en esta isla. Si bien ofrece información, resúmenes y reflexiones del pensamiento actual a lo largo de sus capÃtulos, este libro servirá de manera muy útil como alimento para el pensamiento y un trampolÃn para la curiosidad. Al ofrecer algo diferente en su combinación de temas y perspectivas, de modo que superficies no examinadas previamente puedan salir a la luz individualmente y en conjunto con otros ensayos, es un recurso amplio e indispensable en los estudios del teatro irlandés. Nota de contenido: 1. Introductions/Orientations -- 2. The Mainstream: Problematising and Theorising; Shaun Richards -- 3. The Theatre Royal, Dublin; Conor Doyle -- 4. The Politics of Performance: Theatre in and About Northern Ireland; Lisa Fitzpatrick -- 5. The Literary Tradition in the History of Modern Irish Drama; Christopher Murray -- 6. #WakingTheFeminists; Carole Quigley -- 7. Live Art in Ireland; Una Mannion -- 8. Gestures of Resistance: Dance in 1990s Ireland; Finola Cronin -- 9. Contemporary Theatre in Irish Language; MáirtÃn Coilféir -- 10. Theatre for Young Audiences in Ireland; Tom Maguire -- 11. Performance in the Community: Amateur Drama and Community Theatre; Elizabeth Howard -- 12. Performing Politics: Queer Theatre in Ireland, 1968-2017; J. Paul Halferty -- 13. Long Flame in the Hideous Gale: The Politics of Popular Irish Performance, 1950-2000; Susanne Colleary -- 14. Other Theatres; Christopher Collins -- 15. Independent Theatre and New Work; Gavin Kostick -- 16. Funding, Sponsorship and Touring; Shelley Troupe -- 17. New Century Theatre Companies; Cormac O'Brien -- 18. The Joyful Mysteries of Comedy; Bernard Farrell -- 19. Lambert Theatre and Puppetry Redefined; John McCormick -- 20. Scenic Transitions: From Drama to Experimental Practices in Irish Theatre; Noelia Ruiz -- 21. Key Moments and Relationships: Working with Pat Kinevane; Jim Culleton -- 22. Irish Cinema and Theatre; Ruth Barton -- 23. Actor Training Ireland since 1965; Rhona Trench -- 24. Ireland: A Designer's Theatre; Siobhán O'Gorman -- 25. Props at the Abbey; Eimer Murphy -- 26. Ireland: An Actor's Theatre; Bernadette Sweeney -- 27. The Figurative Artist: ÚNA'N'ANU; Úna Kavanagh -- 28. Ireland: A Director's Theatre; Ian R. Walsh -- 29. In the wake of Olwen Fouéré's riverrun; Kellie Hughes -- 30. Ireland: A Writer's Theatre; Nicholas Grene -- 31. The Making of Mainstream; Rosaleen McDonagh -- 32. Participatory Performance: Spaces of Creative Negotiation; Kate McCarthy and Una Kealy -- 33. Other Spaces (Non-Theatre Spaces); Charlotte McIvor -- 34. Irish Plays in Other Places; Kevin Wallace -- 35. Adaptation and Transformation; Anne Fogarty -- 36. Circuitous Pathways: Marina Carr's Labyrinth of Feminist Form in the US World Premiere of Phaedra Backwards; Melissa Sihra -- 37. Being Intercultural in Irish Theatre and Performance; Cathy Leeney -- 38. Once Upon a Time in the Life of Arambe: A Personal Reflection; Bisi Adigun -- 39. Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama; Eva Urban -- 40. Dramaturgical Complicity: Representing Trauma in Brokentalkers' Blue Boy; Kate Donoghue -- 41. Between the City and the Village: Liminal Spaces and Ambivalent Identities in Contemporary Irish Theatre; Brian Devaney -- 42. Verse in Twenty-First Century Irish Theatre; Kasia Lech -- 43. The Gate Theatre on the Road: O'Casey, Pinter and Friel; Mária Kurdi -- 44. Festivals and Curation; Willie White -- 45. Interart Relations and Self-reflexivity in Contemporary Irish Drama; Csilla Bertha -- 46. "Contempt of Flesh": adventures in the uncanny valley; Ashley Taggart -- 47. The Dance of Affect in Contemporary Irish Dance Theatre; Aoife McGrath -- 48. Artistic Vision and Regional Resistance: The Gods Are Angry, Miss Kerr and the Red Kettle Theatre Company; Richard Hayes and Una Kealy -- 49. Cultural Materialism and a Class Consciousness?; Erica Meyers -- 50. The Utilisation of Domestic Space in the Reflection of Economic Struggles of Modern Living in Conor McPherson's New Translation of The Nest; Maha Alatawi -- 51. Audiences: Immersive and Participatory; Ciara L. Murphy -- 52. Sounding Affect in Pan Pan Theatre's Adaptation of All That Fall; Angela Butler -- 53. Music in Irish Theatre: the sound of the people; Ciara Fleming -- 54. Sightings of Comic Dexterity; Eric Weitz -- 55. Acts of Remembering in Irish Theatre; Emilie Pine -- 56. Staging a Response: No Escape and the rise of documentary theatre in Ireland; Luke Lamont -- 57. Children of the Revolution: 1916-2016; James Moran -- 58. Post-feminism and Ethical Issues in Four Post-Celtic Tiger Irish Plays; Mária Kurdi -- 59. Reflections on Bernard Shaw and the 21st Century Dublin Stage; Audrey McNamara -- 60. 'Endless Art': The Contemporary Archive of Performance; Barry Houlihan. Tipo de medio : Computadora Summary : This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1057/97 [...] The Palgrave Handbook of Contemporary Irish Theatre and Performance [documento electrónico] / Jordan, Eamonn, ; Weitz, Eric, . - 1 ed. . - London : Palgrave Macmillan UK, 2018 . - XXXIII, 866 p. 21 ilustraciones.
ISBN : 978-1-137-58588-2
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos.
Idioma : Inglés (eng)
Palabras clave: Las artes escénicas Teatro Teatro y artes escénicas Clasificación: 790 Artes recreativas y de la actuación Resumen: Este manual ofrece una visión multiforme de vislumbres teóricas, históricas, prácticas y personales de un paisaje caracterizado a grandes rasgos como teatro y performance irlandeses contemporáneos. Al reunir un espectro de voces y sensibilidades en cada una de sus cuatro secciones (Historias, Primeros planos, Interfaces y Reflexiones), echa una mirada a los últimos sesenta años aproximadamente para recordar, analizar y evaluar el legado reciente del teatro. y rendimiento en esta isla. Si bien ofrece información, resúmenes y reflexiones del pensamiento actual a lo largo de sus capÃtulos, este libro servirá de manera muy útil como alimento para el pensamiento y un trampolÃn para la curiosidad. Al ofrecer algo diferente en su combinación de temas y perspectivas, de modo que superficies no examinadas previamente puedan salir a la luz individualmente y en conjunto con otros ensayos, es un recurso amplio e indispensable en los estudios del teatro irlandés. Nota de contenido: 1. Introductions/Orientations -- 2. The Mainstream: Problematising and Theorising; Shaun Richards -- 3. The Theatre Royal, Dublin; Conor Doyle -- 4. The Politics of Performance: Theatre in and About Northern Ireland; Lisa Fitzpatrick -- 5. The Literary Tradition in the History of Modern Irish Drama; Christopher Murray -- 6. #WakingTheFeminists; Carole Quigley -- 7. Live Art in Ireland; Una Mannion -- 8. Gestures of Resistance: Dance in 1990s Ireland; Finola Cronin -- 9. Contemporary Theatre in Irish Language; MáirtÃn Coilféir -- 10. Theatre for Young Audiences in Ireland; Tom Maguire -- 11. Performance in the Community: Amateur Drama and Community Theatre; Elizabeth Howard -- 12. Performing Politics: Queer Theatre in Ireland, 1968-2017; J. Paul Halferty -- 13. Long Flame in the Hideous Gale: The Politics of Popular Irish Performance, 1950-2000; Susanne Colleary -- 14. Other Theatres; Christopher Collins -- 15. Independent Theatre and New Work; Gavin Kostick -- 16. Funding, Sponsorship and Touring; Shelley Troupe -- 17. New Century Theatre Companies; Cormac O'Brien -- 18. The Joyful Mysteries of Comedy; Bernard Farrell -- 19. Lambert Theatre and Puppetry Redefined; John McCormick -- 20. Scenic Transitions: From Drama to Experimental Practices in Irish Theatre; Noelia Ruiz -- 21. Key Moments and Relationships: Working with Pat Kinevane; Jim Culleton -- 22. Irish Cinema and Theatre; Ruth Barton -- 23. Actor Training Ireland since 1965; Rhona Trench -- 24. Ireland: A Designer's Theatre; Siobhán O'Gorman -- 25. Props at the Abbey; Eimer Murphy -- 26. Ireland: An Actor's Theatre; Bernadette Sweeney -- 27. The Figurative Artist: ÚNA'N'ANU; Úna Kavanagh -- 28. Ireland: A Director's Theatre; Ian R. Walsh -- 29. In the wake of Olwen Fouéré's riverrun; Kellie Hughes -- 30. Ireland: A Writer's Theatre; Nicholas Grene -- 31. The Making of Mainstream; Rosaleen McDonagh -- 32. Participatory Performance: Spaces of Creative Negotiation; Kate McCarthy and Una Kealy -- 33. Other Spaces (Non-Theatre Spaces); Charlotte McIvor -- 34. Irish Plays in Other Places; Kevin Wallace -- 35. Adaptation and Transformation; Anne Fogarty -- 36. Circuitous Pathways: Marina Carr's Labyrinth of Feminist Form in the US World Premiere of Phaedra Backwards; Melissa Sihra -- 37. Being Intercultural in Irish Theatre and Performance; Cathy Leeney -- 38. Once Upon a Time in the Life of Arambe: A Personal Reflection; Bisi Adigun -- 39. Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama; Eva Urban -- 40. Dramaturgical Complicity: Representing Trauma in Brokentalkers' Blue Boy; Kate Donoghue -- 41. Between the City and the Village: Liminal Spaces and Ambivalent Identities in Contemporary Irish Theatre; Brian Devaney -- 42. Verse in Twenty-First Century Irish Theatre; Kasia Lech -- 43. The Gate Theatre on the Road: O'Casey, Pinter and Friel; Mária Kurdi -- 44. Festivals and Curation; Willie White -- 45. Interart Relations and Self-reflexivity in Contemporary Irish Drama; Csilla Bertha -- 46. "Contempt of Flesh": adventures in the uncanny valley; Ashley Taggart -- 47. The Dance of Affect in Contemporary Irish Dance Theatre; Aoife McGrath -- 48. Artistic Vision and Regional Resistance: The Gods Are Angry, Miss Kerr and the Red Kettle Theatre Company; Richard Hayes and Una Kealy -- 49. Cultural Materialism and a Class Consciousness?; Erica Meyers -- 50. The Utilisation of Domestic Space in the Reflection of Economic Struggles of Modern Living in Conor McPherson's New Translation of The Nest; Maha Alatawi -- 51. Audiences: Immersive and Participatory; Ciara L. Murphy -- 52. Sounding Affect in Pan Pan Theatre's Adaptation of All That Fall; Angela Butler -- 53. Music in Irish Theatre: the sound of the people; Ciara Fleming -- 54. Sightings of Comic Dexterity; Eric Weitz -- 55. Acts of Remembering in Irish Theatre; Emilie Pine -- 56. Staging a Response: No Escape and the rise of documentary theatre in Ireland; Luke Lamont -- 57. Children of the Revolution: 1916-2016; James Moran -- 58. Post-feminism and Ethical Issues in Four Post-Celtic Tiger Irish Plays; Mária Kurdi -- 59. Reflections on Bernard Shaw and the 21st Century Dublin Stage; Audrey McNamara -- 60. 'Endless Art': The Contemporary Archive of Performance; Barry Houlihan. Tipo de medio : Computadora Summary : This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies. Enlace de acceso : https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1057/97 [...]
