| TÃtulo : |
European Television Crime Drama and Beyond |
| Tipo de documento: |
documento electrónico |
| Autores: |
Toft Hansen, Kim, ; Peacock, Steven, ; Turnbull, Sue, |
| Mención de edición: |
1 ed. |
| Editorial: |
[s.l.] : Springer |
| Fecha de publicación: |
2018 |
| Número de páginas: |
XV, 294 p. 8 ilustraciones en color. |
| ISBN/ISSN/DL: |
978-3-319-96887-2 |
| Nota general: |
Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. |
| Idioma : |
Inglés (eng) |
| Palabras clave: |
EtnologÃa Cultura Obras cinematográficas europeas. Cultura Europea Cine y televisión europeos |
| Clasificación: |
306.094 |
| Resumen: |
Este libro es el primero que se centra en el papel del drama criminal televisivo europeo en el mercado internacional. Como género, el drama criminal televisivo ha disfrutado de una carrera larga y exitosa, sirviendo habitualmente como un prisma desde el cual observar los problemas locales, nacionales e incluso transnacionales que prevalecen en la sociedad. Este extenso volumen explora una amplia gama de paÃses, desde Estados Unidos hasta paÃses europeos como España, Italia, los paÃses escandinavos, Alemania, Inglaterra y Gales, con el fin de revelar las mismas monedas que intervienen en la producción y circulación global de el drama criminal televisivo. Los capÃtulos, todos escritos por destacados estudiosos de la televisión y la ficción policial, ofrecen lecturas de dramas policiales como el sueco-danés The Bridge, Welsh Hinterland, Spanish Under Suspicion, Italian Gomorrah, German Tatort y Turkish Cinayet. Al examinar tanto los textos europeos como la "europeidad" de varios dramas internacionales, este libro demuestra en última instancia que el transnacionalismo está en el centro mismo del drama criminal televisivo en Europa y más allá. . |
| Nota de contenido: |
1. Down these European mean streets:Contemporary issues in European television crime drama, Kim Toft Hansen, Steven Peacock and Sue Turnbull -- Section I: Noir Aesthetics -- 2. Framing Nordic noir: From Film Noir to High-End Television Drama, Audun Engelstad -- 3. The Rise of "Bright Noir": Redemption and Moral Optimism in American Contemporary TV Noir, Alberto N. GarcÃa -- 4. Melancholy and Murder: Feelings, Atmosphere and Social Criticism in Television Crime Series, Gunhild Agger and Anne Marit Waade -- 5. Locating sound in UK/US television crime drama: The affective impact of sound effects and music in Happy Valley and Hannibal, Lucy Donaldson -- 6. Seriousness, ordinariness, and "actual police work": British and American TV crime dramas True Detective, Suspects and Cuffs, Helen Piper -- Section II: Noir Regionalism and Transnationalism -- 7. Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places, Elke Weissmann -- 8. The transnational appeal of the Italian Mafia story, Milly Buonanno -- 9. The Rise of Noir in the Sun: Spanish Crime Drama and Contemporary Television Drama Production, Concepción Cascajosa Virino -- 10. Crime Scene Germany: Regionalism, Audiences, and the German Public Broadcasting System, Susanne Eichner -- 11. Searching for 'Aura' in Cinayet: Audience Reception of the Turkish Remake of Forbrydelsen, Yesim Kaptan -- Section III: Noir Market Value -- 12. Local noir and local identity: Norskov and the spatial implications of branded content, Jørgen Riber Christensen and Kim Toft Hansen -- 13. The Flemish TV Market: Crime drama as a driver for market sustainability?, Tim Raats -- 14. Secret City and Micromarkets: The 'Global Noir Audience' for Australian Crime Drama, Sue Turnbull andMarion McCutcheon -- 15. Saga's Story: Emotional engagement in the production and reception of The Bridge, Annette Hill. |
| Tipo de medio : |
Computadora |
| Summary : |
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the 'European-ness' of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond. . |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
European Television Crime Drama and Beyond [documento electrónico] / Toft Hansen, Kim, ; Peacock, Steven, ; Turnbull, Sue, . - 1 ed. . - [s.l.] : Springer, 2018 . - XV, 294 p. 8 ilustraciones en color. ISBN : 978-3-319-96887-2 Libro disponible en la plataforma SpringerLink. Descarga y lectura en formatos PDF, HTML y ePub. Descarga completa o por capítulos. Idioma : Inglés ( eng)
| Palabras clave: |
EtnologÃa Cultura Obras cinematográficas europeas. Cultura Europea Cine y televisión europeos |
| Clasificación: |
306.094 |
| Resumen: |
Este libro es el primero que se centra en el papel del drama criminal televisivo europeo en el mercado internacional. Como género, el drama criminal televisivo ha disfrutado de una carrera larga y exitosa, sirviendo habitualmente como un prisma desde el cual observar los problemas locales, nacionales e incluso transnacionales que prevalecen en la sociedad. Este extenso volumen explora una amplia gama de paÃses, desde Estados Unidos hasta paÃses europeos como España, Italia, los paÃses escandinavos, Alemania, Inglaterra y Gales, con el fin de revelar las mismas monedas que intervienen en la producción y circulación global de el drama criminal televisivo. Los capÃtulos, todos escritos por destacados estudiosos de la televisión y la ficción policial, ofrecen lecturas de dramas policiales como el sueco-danés The Bridge, Welsh Hinterland, Spanish Under Suspicion, Italian Gomorrah, German Tatort y Turkish Cinayet. Al examinar tanto los textos europeos como la "europeidad" de varios dramas internacionales, este libro demuestra en última instancia que el transnacionalismo está en el centro mismo del drama criminal televisivo en Europa y más allá. . |
| Nota de contenido: |
1. Down these European mean streets:Contemporary issues in European television crime drama, Kim Toft Hansen, Steven Peacock and Sue Turnbull -- Section I: Noir Aesthetics -- 2. Framing Nordic noir: From Film Noir to High-End Television Drama, Audun Engelstad -- 3. The Rise of "Bright Noir": Redemption and Moral Optimism in American Contemporary TV Noir, Alberto N. GarcÃa -- 4. Melancholy and Murder: Feelings, Atmosphere and Social Criticism in Television Crime Series, Gunhild Agger and Anne Marit Waade -- 5. Locating sound in UK/US television crime drama: The affective impact of sound effects and music in Happy Valley and Hannibal, Lucy Donaldson -- 6. Seriousness, ordinariness, and "actual police work": British and American TV crime dramas True Detective, Suspects and Cuffs, Helen Piper -- Section II: Noir Regionalism and Transnationalism -- 7. Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places, Elke Weissmann -- 8. The transnational appeal of the Italian Mafia story, Milly Buonanno -- 9. The Rise of Noir in the Sun: Spanish Crime Drama and Contemporary Television Drama Production, Concepción Cascajosa Virino -- 10. Crime Scene Germany: Regionalism, Audiences, and the German Public Broadcasting System, Susanne Eichner -- 11. Searching for 'Aura' in Cinayet: Audience Reception of the Turkish Remake of Forbrydelsen, Yesim Kaptan -- Section III: Noir Market Value -- 12. Local noir and local identity: Norskov and the spatial implications of branded content, Jørgen Riber Christensen and Kim Toft Hansen -- 13. The Flemish TV Market: Crime drama as a driver for market sustainability?, Tim Raats -- 14. Secret City and Micromarkets: The 'Global Noir Audience' for Australian Crime Drama, Sue Turnbull andMarion McCutcheon -- 15. Saga's Story: Emotional engagement in the production and reception of The Bridge, Annette Hill. |
| Tipo de medio : |
Computadora |
| Summary : |
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the 'European-ness' of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond. . |
| Enlace de acceso : |
https://link-springer-com.biblioproxy.umanizales.edu.co/referencework/10.1007/97 [...] |
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